Featured Stories – Page 124
-
FocusHow I interpret Bach: Tomás Cotik on The Pieces in Context, The Title and Editions
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
-
VideoLisa Batiashvili and Daniel Barenboim record Tchaikovsky and Sibelius - album trailer
In this behind-the-scenes film, The Strad’s January 2020 issue cover star Lisa Batiashvili describes recording the Tchaikovsky and Sibelius concertos with Daniel Barenboim and the Staatskapelle Berlin
-
FocusHow I interpret Bach: Tomás Cotik on Ornaments, Trills and Appoggiaturas
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
-
FeatureLisa Batiashvili on the joys of collaboration
Georgian violinist Lisa Batiashvili has recently taken on new challenges, among them artistic directorship of the Audi Summer Concerts festival and performing on the soundtrack to The White Crow. But, she tells Toby Deller, she finds equal joy in creating wonderful interpretations from long-term partnerships
-
NewsThe Strad January 2020 issue is out
Georgian violinist Lisa Batiashvili talks about her new role as artistic director of the Audi Summer Concerts festival, and her most personal recording to date
-
VideoSheku Kanneh-Mason plays Elgar’s Cello Concerto with Frankfurt Radio Symphony
The cellist - interviewed for Sentimental Work in the January issue of The Strad - performs Elgar’s Cello Concerto in this concert from 29th November with the Frankfurt Radio Symphony under Nicholas Collon.
-
Premium ❘ FeatureFrom the Archive: January 1900
An unsolved mystery from 1869: T.L. Phipson relates how a c.1709 Stradivari violin vanished without trace – and as far as we know, remains missing to this day
-
FocusHow I interpret Bach: Tomas Cotik on Tempo Rubato, Strong and Weak Measures and Notes Inégales
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
-
VideoRostropovich: a 90-minute documentary
A documentary that delves into all aspects of the cellist’s life and career - from his four-day courtship of his wife to that 1968 performance of Dvorak’s Cello Concerto at the Proms, coinciding with the Soviet invasion of Czechoslovakia. With contributions from Rostropovich’s wife Galina Pavlovna Vishnevskaya, and the ...
-
FeatureActing the Part
How can techniques usually confined to the acting world benefit string players on stage? Pauline Harding goes back to school to find out
-
FeatureThere’s nothing I play that’s less serious than anything else
Joshua Bell’s new album showcases his deep respect for all musical forms. The US violinist talks to Amanda Holloway about the challenges of making classical cool, and of broadening his professional skills
-
Focus8 ways to combat negative thoughts on stage
How to banish your inner demons from The Strad's Archive
-
FocusHow I interpret Bach: Tomás Cotik on Overdotting and Rhythmic Assimilation
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
-
FocusWhat is the secret behind the Royal Danish Orchestra’s string sound?
The Royal Danish Orchestra has been adding to its collection of fine stringed instruments for centuries – but there is revolution and evolution behind its string sound, which is unmistakable, finds Andrew Mellor
-
Premium ❘ FeatureExpanding the limits
Georgian violinist Lisa Batiashvili has recently taken on new challenges, among them artistic directorship of the Audi Summer Concerts festival and performing on the soundtrack to The White Crow. But, she tells Toby Deller, she finds equal joy in creating wonderful interpretations from long-term partnerships
-
FocusLessons in Time Travel - Violinists on Baroque Performance
What impact can voyages into period performance have on modern-instrument playing? Four soloists reveal the fruits of their Baroque explorations to Ariane Todes
-
Premium ❘ FeatureGrowing pains
Violinist and Ohio State University professor of music education Bob Gillespie has taught countless teenage string players. Here he explores adolescent character traits, and shares with teachers his valuable guide to dealing with adolescent moods and logic
-
Premium ❘ FeatureThe Score: Friend or Foe?
The multiple editions of a piece can confuse a musician. Should we always work from an urtext edition in an attempt to access the composer’s most authentic voice? Or can edited versions with interpretative markings be helpful? Cellist Pedro de Alcantara guides us through this minefield
-
Focus5 essential recordings by violinist Itzhak Perlman
To tie in with the violin star's 70th birthday in 2015, Julian Haylock rounded up some of the master violinist’s finest recordings
-
VideoPrepare with Nicky: Introduction - Meet Your Tutors
With only 33 days until the Benedetti Sessions - Nicola Benedetti’s series of orchestra-based weekend workshops which aim to address the needs of young musicians and of teachers - the violinist is launching a video a day. And she’s starting by introducing some of the tutors involved. ‘The good news’, ...
