All Article articles – Page 8
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ArticleProducts May 2020: Polycorde bow
A shape-shifting bow designed to change what a violin can do
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ArticleProducts May 2020: Durod cello endpin
South Korean maker Durod claim their carbon-fibre cello endpins improve the response time of the instrument and help players create a focused, rich and clear sound. They are available in lengths of 520mm and 600mm, with the option to include a hollow or solid brass core. Durod ...
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ArticleProducts May 2020: Meisel Jascha Heifetz violin strings
Described by the maker as an ‘exact copy’ of those used by Jascha Heifetz himself, these violin strings have been licensed by the Heifetz estate. The set comprises a Goldbrokat E string, uncovered gut A and D strings, and a gut G string wound in sterling silver. ...
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ArticleRussian composer Dmitri Smirnov dies of Coronavirus
The Russian modernist composer Dmitri Smirnov has died of the consequences of COVID-19
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ArticleCellist Paul Katz on creating your ideal sound with vibrato
The New England Conservatory cello professor describes how to vary hand position to produce your desired vibrato sound
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ArticleBook review: Pioneer Violin Virtuose in the Early Twentieth Century
Tully Potter reviews a ‘gendered re-evaluation’ of three female violinists: Maud Powell, Marie Hall, and Alma Moodie
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ArticleConcertgebouw concerts cancelled
All Concertgebouw Orchestra concerts up to and including 31 March 2020 have been cancelled due to Coronavirus
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ArticleMy Heroes: Mischa Maisky on Mstislav Rostropovich and Gregor Piatigorsky
The Latvian-born cellist looks back on two influential teachers: Mstislav Rostropovich and Gregor Piatigorsky
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ArticleFrom the Archive: Gregor Piatigorsky
In an article from June 1939, the great cellist gave a first-hand account of his flight from Russia into Poland.
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ArticleIn Focus: a 1786 cello by Jacques Pierre Michelot
John Dilworth examines a hastily built but robust 1786 French cello, with photos by Richard Valencia, in an article from September 2005
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ArticleIn Focus: a 1693 cello by Giovanni Grancino
Ed Keohane examines an instrument by the Milanese maker, with photos by Richard Valencia, in an article from January 2007
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ArticleMy Heroes: Steven Isserlis on Pablo Casals and Daniil Shafran
Pablo Casals’s musical commitment and Daniil Shafran’s ease and freedom were sources of inspiration for the British cellist
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ArticleIn Focus: an 1817 cello by Giacomo Rivolta
Christopher Reuning examines an insturment by the Novara-born maker, with photos by Matthew Tolzmann, in an article from February 2007
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ArticleSentimental Work: Ralph Kirshbaum on the Elgar Cello Concerto
The Elgar Cello Concerto has played an important part in some of the US cellist and pedagogue’s most memorable, emotional and significant concerts
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ArticleOpinion: ‘The cello has never been more popular’
In the years since Gregor Piatigorsky first set out to boost the cello’s profile, the instrument has seen a massive growth in popularity, particularly through the efforts of crossover artists, says Yoshika Masuda
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ArticleGrand Designs: Postcard from the 2016 Piatigorsky International Cello Festival
Named after the cellist who helped to popularise his instrument in the US, the Piatigorsky International Cello Festival held its second quadrennial edition in May. Chloe Cutts was in Los Angeles and spoke to founder and artistic director Ralph Kirshbaum about his vision for the event
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ArticleGreat Cellists: Gregor Piatigorsky
Matthew Rye pays tribute to a musician whose panache and technical prowess helped popularise the cello in the US as a solo and recital instrument
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ArticleCity of Angels: Postcard from the 2012 Piatigorsky International Cello Festival
Cello celebrities gathered en masse to share their music and wisdom at the 2012 Piatigorsky Festival, but the real superstar was the man they came to honour, as Ariane Todes reports
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ArticleObituary: Ron Prentice
The British luthier who produced 50 double basses has died at the age of 87
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ArticlePlayers of tomorrow: Coraline Groen
The 24 year-old Dutch violinist, winner of this year’s Netherlands Violin Competition, has just started as a second violinist in the Concertgebouw. She discusses talent, solo and orchestral playing, and the difficulty of making the ‘right’ career decision
