Playing – Page 25
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Premium ❘ FeaturePoetic injustice: Ysaÿe
On the 150th anniversary of Ysaÿe’s birth, Andrew Morris revisits the violinist’s string compositions and finds them rich in virtuosity and melancholy, but now largely lost from the repertoire. From July 2008
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Premium ❘ FeatureJanine Jansen: A spiritual connection
Even for one of the most revered violinists, it is a daunting task to get to know twelve of the world’s finest Stradivaris, many with jaw-dropping pasts, within only a few weeks. Janine Jansen talks to Pauline Harding about how she did just that for a new recording and documentary
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Premium ❘ FeatureNupen and du Pré: Golden girl
Documentary maker Christopher Nupen made several groundbreaking films with Jacqueline du Pré. Here he shares his memories of the legendary British cellist who tragically died at the age of 42 after battling with multiple sclerosis
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Premium ❘ FeatureSession Report: Two’s company
Violinist Patricia Kopatchinskaja and cellist Sol Gabetta’s new recording is the culmination of many years of music making and friendship, as the pair tell Charlotte Gardner
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Premium ❘ FeatureTianjin Juilliard School: A new dawn
The first school to offer US-accredited music degrees in mainland China, Juilliard’s Tianjin campus is the next step in the long history of East-West partnerships. Tom Stewart discovers how the institution is attracting students from all over the globe
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Premium ❘ ArticleSoundpost: Letters to the Editor October 2021
A selection of letters The Strad receives each month from its readers around the world: October 2021 issue
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Premium ❘ FeatureFrom the Archive: October 1891
Eleven years after Henryk Wieniawski’s death, his former accompanist Arno Kleffel recalls how the famed violinist and composer told him how he achieved his famous staccato
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Premium ❘ FeatureBaroque cello playing: Going for baroque
You don’t need years of study to play Baroque cello with style and panache, argues Daniel Yeadon in this article from June 2000 - just a willingness to think differently
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Premium ❘ FeaturePeg-turning masterpieces: Heinrich Biber Baroque Scordatura
Biber’s Mystery Sonatas are the most famous example of Baroque scordatura, but there are many more works to discover, explains Pauline Nobes in this article from June 2003
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Premium ❘ FeatureDaniil Shafran: The unsung hero
The Soviet cellist Daniil Shafran was a unique performer with a highly individual technique and sense of interpretation. He deserves to be recognised as one of the 20th century’s great instrumentalists, writes Oskar Falta
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Premium ❘ FeatureSession Report: Classical crusader
French cellist Christian-Pierre La Marca’s Wonderful World recording project highlights the environmental challenges facing humanity – and musicians really can make a difference, he tells Tom Stewart
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Premium ❘ ArticleSoundpost: Letters to the Editor September 2021
A selection of letters The Strad receives each month from its readers around the world: September 2021 issue
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Premium ❘ FeatureMasterclass: Natalie Clein on Haydn Cello Concerto in D major
The cellist discusses the improvisational freedom, humour and joy that are central to her own interpretation of the first movement of this popular audition piece
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Premium ❘ FeatureEthel Smyth: A woman of substance
Ethel Smyth’s talents as a composer have long been overshadowed by her political activism and her battles for women’s rights. In her 150th anniversary year, it’s time to celebrate her distinctive string music, says Catherine Nelson, in this article, taken from the August 2008 issue
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Premium ❘ FeatureŠevčík’s legacy: how important is he to string players today?
Leading performers and teachers share their views on the use of Ševčík today, in this article from September 1998. By Sarah Mnatzaganian
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Premium ❘ FeatureBrahms: the viola’s champion
In this article from the May 1997 issue, Michael Freyhan examines how Brahms was one of the first composers to appreciate the viola’s potential, giving the instrument a chance to shine through his chamber music
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Premium ❘ FeaturePlaying Concertos the Ševčík Way
His method books transformed violin pedagogy, but Otakar Ševčík’s later studies based around the concerto repertoire languished until rediscovered by Endre Granat. In this article from December 2009, Granat argues that Ševčík’s analytical approach can be applied to any work
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Premium ❘ FeatureViolin Masterclass: Playing Thirds in Dont’s Etude op.35 no.8
Violin teacher Zakhar Bron provides tips for practising the op.35 no.8 Etude by Dont
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Premium ❘ FeatureViolin Masterclass: Co-ordination and Trilling in Dont's Etude op.35 no.6
In the first of two articles, violin teacher Zakhar Bron provides tips for practising the op.35 no.6 etude by Dont
