Lutherie – Page 39
-
VideoAn advent musical greeting from Dextra Musica
Every day at 11.30am, throughout the month of December, Dextra Musica are sending a small advent greeting, featuring instruments from its collection, at: www.klassiskkarantene.no/julekalender Today’s greeting comes from Sonoko Miriam Welde and Dextra’s Gagliano violin.
-
VideoThe Strad Calendar 2021: Antonio Stradivari 1707 ‘Rivaz, Baron Gutmann’ violin
The ‘Rivaz, Baron Gutmann’ is a powerful instrument, made from a beautiful single piece of deeply figured maple
-
VideoThe Strad Calendar 2021: Gasparo da Salò double bass c.1580
The workmanship of this bass is typical of Gasparo, with the distinctive double purfling and long, widely set f-holes
-
FocusThe Strad Calendar 2021: Giovanni Battista Rogeri cello 1695
The arching of the Rogeri is flat, unlike the bulbous forms of most of his contemporary makers
-
FocusCello varnish badly damaged in calamitous hand sanitiser spill
The repair job on the instrument’s coating took more than 80 hours
-
VideoAuner Quartett violinist plays ‘ex Rouse-Boughton’ Stradivari
the Auner Quartett from Vienna recently received two more Instruments from the National Bank of Austria, a Giovanni Grancino cello (‘ex Piatti’, - ‘ex Dunlop’, Milano 1706); and an Antonio Stradivari violin (‘ex Rouse-Boughton’, Cremona 1698). In this video, one of the group’s violinists - Barbara de Menezes Galante ...
-
VideoThe Strad Calendar 2021: Carlo Bergonzi ‘Kreisler’ violin 1735
The ‘Kreisler’s characteristically thin yet intensely coloured varnish is in abundance
-
Premium ❘ ArticleSoundpost: Letters to the Editor December 2020
A selection of letters The Strad receives each month from its readers around the world: December 2020 issue
-
-
Premium ❘ FeatureTrade Secrets: Preparing an instrument for varnishing
A guide to the steps needed for the final coat of varnish to show up to its best effect
-
-
Premium ❘ FeatureMaking Matters: All laid out in black and white
Stradivari’s method for laying out f-holes has long been a mystery. Torbjörn Zethelius reveals the method he believes the Cremonese master may have used, and how it can still be useful today
-
Premium ❘ FeatureThe viola d’amore: For a sympathetic ear
The viola d’amore is undergoing a resurgence in popularity among early music groups, with a wealth of repertoire still to be rediscovered. Rachael Durkin tracks the development of this unique instrument, examining its many precursors along the way
-
VideoThe Strad Calendar 2021: Jean-Baptiste Vuillaume violin 1848-50
This Vuillaume is a mid-period ‘del Gesù’ copy, on which the f-holes of the ‘Ole Bull’ Guarneri have been imposed
-
VideoThe Beauty of F Holes
As part of her ‘Students Stuck at Home’ series of videos, American luthier Anna Huthmaker explores the beauty of F holes. For more in the series, click here. Watch: The oddities of a luthier’s workshop Watch: 3 ways we can damage our instruments without even knowing it
-
VideoThe Strad Calendar 2021: Giuseppe Guarneri ‘del Gesù’ violin 1744
Guarneri’s carving is free and energetic, the movements of the tools quick and deep
-
FocusThe Strad Calendar 2021; Nicolas Lupot cello 1823
The Lupot cello is a wonderful piece of controlled craftsmanship, and bears his personal signature on the back
-
Premium ❘ ArticleSoundpost: Letters to the Editor November 2020
A selection of letters The Strad receives each month from its readers around the world: November 2020 issue
-
-
Premium ❘ FeatureTrade Secrets: Removing the mould after gluing the linings
A simple procedure that imitates the methods of the old Cremonese makers
