All Recordings articles
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ReviewBelcea Quartet: Janáček, Ligeti
Restless, gripping performances that both surprise and delight
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Review
Fabiola Kim: 1939
Warm and heartfelt accounts of three concertos written at the end of the 1930s
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Review
Frang, Altstaedt, Power, Kelemen, Kokas: Veress, Bartók
Compelling live performances of folk-influenced Hungarian chamber works
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Review
Peter Sheppard Skærved: Tartini
Plenty of expressive drama in the conclusion to this ambitious project
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Review
Daniel Müller-Schott: Strauss
Cello stars amid a constellation of other soloists in passionate performances
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Review
Johannes Moser, Alasdair Beatson: Felix & Fanny Mendelssohn
An exhilarating programme of works for cello and piano captures these composer siblings’ high spirits
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Review
Elvira Misbakhova: Ichmouratov
Ambitious, attractive works blend post-modernism and touches of Prokofiev
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Review
London Haydn Quartet: Haydn
London quartets that are both satisfying and a little provocative
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Review
Pieter Wispelwey: Brahms, Schubert
The final instalment of these splendid additions to the cello repertoire
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Review
Alina Ibragimova: Brahms, C. Schumann
Freshly minted performances of familiar works prove there’s plenty more to say
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Review
Christian Tetzlaff: Beethoven
Performances of two cornerstone concertos that may divide audiences
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Review
Hagai Shaham, Raphael Wallfisch, Arnon Erez: Beethoven
Three composers seen through a glittering Nordic prism
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Review
Danish Quartet: Prism II
Danish Quartet: Prism II The Strad Issue: November 2019 Description: Three composers seen through a glittering Nordic prism Musicians: Danish Quartet Works: BACH Fugue in B minor (Well-Tempered Clavier, Bk 1) (arr. Emanuel Aloys Förster) SCHNITTKE String Quartet no.3 BEETHOVEN String Quartet in ...
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Review
Fabio Biondi: The 1690 ‘Tuscan’ Stradivari
A glowing tone shows the instrument is great but the player is greater still
