Playing – Page 22
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Premium ❘ Article‘I recall lessons with teachers texting on the phone while I was playing’: Letters to the editor July 2022
A selection of letters The Strad receives each month from its readers around the world: July 2022 issue
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Premium ❘ Feature‘Dvorak was a brilliant specimen of a bad conductor’: From the archive: July 1932
The great cellist and pedagogue Carl Fuchs (1865–1951) recalls some of the great players and composers seen during his time in Manchester – including the original Brodsky Quartet
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Premium ❘ FocusOpinion: The power of imagination
To enhance a pupil’s learning, it is useful to build a list of words and catchphrases that conjure images relating to different techniques. Jeffrey Howard introduces his own ‘violin vocabulary’
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Premium ❘ FocusSentimental Work: Joshua Bell
Wieniawski’s Violin Concerto no.2 brings back fond memories for the American violinist, from studies at Meadowmount to reminiscences of his mentor Josef Gingold
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Premium ❘ FocusThat festival feeling: Postcard from Odense
Davina Shum reports on the violin final of the Carl Nielsen International Competition in Denmark, an event that encourages a unique sense of collaboration and support between competitors
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Premium ❘ FocusVadim Gluzman: Life Lessons
The Israeli violinist talks about dealing with self-doubt and developing a strong work ethic
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Premium ❘ FeatureAdult beginner cello: Never too late to learn
When Billy Tobenkin decided to learn the cello from scratch at 25, he ignited a lifelong passion. He shares what turned out to be a bumpy but ultimately deeply fulfilling journey
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Premium ❘ FeaturePavel Haas Quartet at 20: Coming home
The energetic and eloquent musicians of the Pavel Haas Quartet are celebrating 20 years of music making with a new recording of Brahms quintets joined by some old friends, as they tell Tom Stewart
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Premium ❘ Feature‘I’ve always been led by music’: cellist and gambist Christophe Coin
For Christophe Coin, the French cellist, gambist and musical time-traveller, historically informed performance practice involves a combination of forensic-level investigation and leap-of-faith creativity. In conversation with Helen Wallace, he describes the instruments and scholarship behind his work as an interpreter
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Premium ❘ Article‘Where else may there be thriving, yet-to-be-discovered hubs of violin making?’: Letters to the Editor June 2022
A selection of letters The Strad receives each month from its readers around the world: June 2022 issue
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Premium ❘ FeatureMasterclass: Simon Standage on Bach’s Violin Sonata in E major
Early music expert Simon Standage discusses historically informed performance, interpretation and balancing violin and harpsichord in the first two movements of BWV1016
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Premium ❘ FocusSentimental Work: Renaud Capuçon
Despite being a ‘non-violinistic’ piece, the Brahms Violin Sonata no.1 stands out for the French violinist as the work that helped him discover the wonders of chamber music
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Premium ❘ FeatureHistorically informed performance: Baroque revolution
Historically informed performance requires no secret code, argues Baroque violin professor Walter S. Reiter. The information is out there for the taking, and modern music colleges need to get ahead of the game
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Premium ❘ FeatureSession Report: A royal consort
Richard Boothby of Fretwork speaks to Robin Stowell about the ensemble’s recording of fantasias for viol consort by Thomas Lupo, the Italian who made a name for himself at Queen Elizabeth I’s court
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Premium ❘ FeaturePietro Castrucci: Resurrecting a Baroque maverick
When Gerald Elias unearthed music by the little-known London-based 18th‑century composer and virtuoso violinist Pietro Castrucci, he discovered a unique and independent musical voice
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Premium ❘ FocusOpinion: A New Deal for Early Music
Covid-19 has highlighted the economic inequalities that divide musicians who perform on period instruments from the majority of today’s string players, says Andrew Mellor
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Premium ❘ FocusAstrid Schween: Life Lessons
The Juilliard Quartet cellist recalls her many tutors and stresses the importance of staying curious
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Premium ❘ FocusCello explorations: Postcard from Dublin
Adrian Smith spent a weekend in Dublin exploring the delights of Spike Cello Festival, a vibrant ‘alt-cello’ weekend that celebrates the versatility of the instrument beyond the core classical repertoire
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Premium ❘ FeatureViktoria Mullova: Her infinite variety
Violinist Viktoria Mullova talks to Toby Deller about her eclectic musical collaborations, mastering the art of improvisation, experimenting with technique, and her new Schubert recording with pianist Alasdair Beatson
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Premium ❘ Article‘It may reduce luthiers’ frustrations with lazy treatment of instruments!’: Letters to the Editor May 2022
A selection of letters The Strad receives each month from its readers around the world: May 2022 issue
