Lutherie – Page 44
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VideoWhittall Stradivarius Collection
Musicians talk about and demonstrate instruments donated to the Library of Congress by Gertrude Clarke Whittall in 1935. With Robert Mann, Alexis Galperine, Miles Hoffman, Rene Morel, Young Uck Kim, Daniel Phillips, and Samuel Zygmuntowicz.
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FocusMichel Collichon, enigma among French viol makers
Just a handful of instruments by Michel Collichon have survived to the present day – but they demonstrate the skill and techniques of a master innovator. With a tenth example recently identified, Shem Mackey explains the appeal of the 17th-century viol maker to modern-day luthiers
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Premium ❘ FeatureChinese Tonewoods: Interesting Times
For luthiers worldwide, European wood is still viewed as the best for making stringed instruments – even though China’s forests are filled with high-quality spruce and maple. Xue Peng presents the results of a study comparing the tonewoods of China and Europe, with some startling conclusions
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VideoGlass fibre cello used to play Takemitsu
Carbon fibre instruments have been introduced on the market for a couple of years. A research team from Ghent University and School of Arts Gent has been investigating the use of composite materials for string instruments. Now, one of their prototypes, a cello made from glass fibre by luthier Tim ...
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ArticleAn almost perfect success story: the evolution of Vuillaume
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career remain shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
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FocusWhat do violinists Sarah Chang and Hilary Hahn keep in their instrument cases?
Ever wondered what players keep in their instrument cases, apart from their Strads? We talk to some well-known performers to discover the secrets they hold
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Premium ❘ FeatureTrade Secrets: Notes on cello endpin fitting
A guide to veneer bushing and creating an ‘abrasive reamer’ for making adjustments
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Premium ❘ FeatureMaking Matters: The Sound of Science
Tom Croen reports on a 2019 experiment to discover how much variation in sound can be gained from fingerboard ‘tuning’ – and how alternative materials fare against traditional ebony
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Premium ❘ FocusTrade secrets: bending the slope on a viola da gamba back
Care and accuracy are both essential for this delicate part of the making process. By Gabriela Guadalajara, luthier based in New York, NY, US
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Premium ❘ FeatureUniversal Harmony: the ‘Four Circles’ system of violin making
Luthiers over the past three centuries have used a vast number of patterns for their instruments – but the basic geometric principles remain constant across them all. Kevin Kelly explains his ‘Four Circles’ system for instrument design, adaptable to violins, violas and cellos
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Premium ❘ FeatureDigital Amati: project luthier
A decade ago, François Denis’s Traité de Lutherie showed how the old Italians used Euclidean geometry to design their instruments. Now a computer program based on these principles allows luthiers to construct and adapt patterns quickly and easily. Its creator, Harry Mairson, explains the genesis of Digital Amati
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Premium ❘ FocusTrade secrets: a method for cooking oil varnish by Nicolas Gilles
A technique that relies on the senses and helps you get the right varnish for your needs, by Nicolas Gilles, luthier in Villeneuvette, France
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Premium ❘ FeatureSartory and the fake bows: Phoney war
One of France’s greatest bow makers,Eugène Sartory sued an unscrupulous American dealer who flooded the market with fake bows. Using the original court transcripts and contemporary news reports, Gennady Filimonov uncovers how the Frenchman sought justice
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Premium ❘ FeatureJacques-Pierre Thibout: violins fit for a king
One of the key Parisian luthiers of the early 19th century, Jacques-Pierre Thibout had a distinctive – and often innovative – making style. Florent and Serge Boyer examine ten of his violins to track its evolution, and show why he became luthier to King Louis-Philippe
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NewsTop lots from the October London stringed instrument auctions
Old Italians and a modern bow proved popular at this autumn’s auctions, as Kevin MacDonald reports
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Premium ❘ FocusTrade secrets: An innovative method of neck setting
Gluing the neck to the ribs before the top and back plates allows for a more accurate and hassle-free process. By Hayato Nagaishi, luthier based in Cremona, Italy, and Tokyo, Japan
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Premium ❘ FeaturePressenda: Combined impact
Despite his instruments showing very little difference in form, Giovanni Francesco Pressenda was one of the most idiosyncratic – and innovative – Italian luthiers of the 19th century. Drawing on 20 years of research, Tsutomu Miyasaka reveals how his style reflected both the French and Italian makers of his day
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Premium ❘ FocusIn focus: a 1972 violin by Alfredo del Lungo
Alfredo Del Lungo began studying the art of violin making at the workshop of his father, Giuseppe Del Lungo (1883–1926), while also taking cello lessons at the Conservatorio Cherubini in Florence. In 1933, aged 24, he was appointed official luthier to the Stabile Orchestrale Fiorentina, which soon became the Orchestra ...
