All Lutherie articles – Page 31
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FocusThe secrets of Giuseppe Ceruti’s making style
The Cremonese luthier Giuseppe Ceruti is often overlooked in favour of his more famous son, Enrico. Duane Rosengard examines two matching double basses by Giuseppe to discover the secrets of his making style
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Premium ❘ NewsAnalysis September 2020: Weathering the storm
What is the future for violin making schools in the era of Covid-19? Tutors from around the world explain the form their courses are likely to take during the autumn term. By Harry White.
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Premium ❘ FeatureGiuseppe Ceruti: In the name of the father
The Cremonese luthier Giuseppe Ceruti is often overlooked in favour of his more famous son, Enrico. Duane Rosengard examines two matching double basses by Giuseppe to discover the secrets of his making style
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FocusHow Western music came to Mexico
The history of Western music in Mexico is inextricably tied up with religion. Pablo Alfaro and Jaime G. González reveal how European musical traditions permeated the culture of the indigenous people
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Premium ❘ FeatureIn Focus: An 1899 cello by Paul Blanchard
Written by Philip Brown and Kathrin Hügel
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Premium ❘ FeatureTrade Secrets: Making and using a simple collar for self-centring
A useful tool for bow makers, enabling octagonal sections to be accurately centred in a three-jaw lathe chuck
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Premium ❘ FeatureMaking Matters: Thinking outside the soundbox
What effect do elements such as the bass-bar and neck heel have on an instrument’s sound quality? Jan Špidlen made an experimental violin, with a number of adjustable features, to find out
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GalleryMy Space: Violin workshops around the world
Some of the most photogenic workspaces to have graced The Strad’s pages in the past few years
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ReviewBook review: The Sound of Life’s Unspeakable Beauty
Julian Haylock reviews Martin Schleske’s book relating the art of violin making to a profound belief in God
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NewsGuarneri ‘filius Andreae’ cello goes on display in Cremona
The 1692 instrument is owned by the Giuseppe Verdi Conservatory of Music in Milan
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Focus'The major asset required in finding the perfect bow is due diligence' – Benjamin Bowman
Violinist and Metropolitan Opera concertmaster Benjamin Bowman has spent his entire playing career in search of ever more subtle and responsive bows. Here, he charts the beginning of his journey to finding his ‘forever bow’
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Premium ❘ FeatureTrade Secrets: Small tools, big help
A number of labour-saving devices designed to make life easier at the workbench
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Premium ❘ FeatureMaking Matters: Beauty and the bridge
The acoustic role of the violin bridge is well known, but what about the aesthetic choices that luthiers make when carving them? John Beames gives a detailed analysis of a favourite bridge to elucidate the process
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VideoCremona Mondomusica trade fair confirmed for 2020
The event for stringed instrument players, makers and dealers will take place from 25 to 27 September
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NewsLuthier creates tiny playable violins during lockdown
Bavarian violin maker Maria Sandner’s creations can be just 10cm long
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Premium ❘ FeatureVihuela de Arco: Unlocking the secrets of the past
A popular instrument of the Middle Ages, the vihuela de arco is only known today from contemporary references and pictures. Javier Martínez explains its significance in the history of bowed instruments, and debunks some of the myths surrounding it
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