All Lutherie articles – Page 20
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Gallery
Photo gallery: Daniela Gaidano’s Violoncello da Spalla
Italian luthier Daniela Gaidano offers an introduction to her ‘shoulder cello’, pictures of the construction process, as well as a video of the instrument in action
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News
First ‘del Gesù’ violin auctioned in a decade fetches £3.5 million
The 1736 Guarneri ‘del Gesù’ violin was sold on Friday 3 June by Aguttes auction house in France
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News
UK ivory ban comes into force
As of 6 June, anything made of or containing ivory must be registered before a sale in Britain
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In Focus: A 1904 violin by Erminio Montefiori
Alberto Giordano looks at the self-taught Italian luthier’s 20th-century instrument
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News
Stradivari’s c.1679 ‘Hellier’ violin to be sold at auction
The inlaid instrument will go under the hammer at Christie’s London on 7 July 2022
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Fluorescence: Reflected glories
Viewing instruments in different kinds of light has become standard in documentation and assessment. Leonhard Rank explains how, in addition to ultraviolet light, researchers can now use infrared, and even parts of the visible spectrum, to reveal even more secrets
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Baroque Set-up: In a Land without Rules
With the growth in popularity of historically informed performance, more players are requesting Baroque-style instruments – but the process of converting an instrument is fraught with uncertainty. Sarah Peck presents an overview of the Baroque set-up process, and corrects some common misconceptions along the way
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‘And the thieves got clean away’: From the archive: June 1892
An anonymous article entitled ‘Fiddle Dealers, Beware!’ reveals how two of London’s best-known violin dealers were swindled by a pair of European con artists
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Making Matters: Historically Informed?
Are the gut strings used in HIP really true to those used by 18th- and 19th-century players? Kai Köpp examines the technical reasons why today’s strings might sound quite different from their predecessors
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Video
The Essence of a Sound: luthier Hans Johannsson at TEDx Reykjavik
Icelandic violin maker Hans Johannsson gives a talk exploring ‘a fascinating juxtaposition of an age-old traditional craft on the one hand and the pursuit of science and technology on the other’, filmed at a TEDx event at the Tjarnarbíó theatre in Reykjavik on 4 November 2018. The listing for the ...
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News
Obituary: Tom Blackburn (1944-2022)
The London-based luthier and restorer ran Blackburn Stringed Instruments for more than 50 years
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Gallery
Photo gallery: Guy Johnston granted use of ‘Segelman’ Stradivari cello
Take a close-up look at a cello made during 1692, when Stradivari was 48 years old
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August Rau: The old-fashioned way
At a time when bow making in Germany was leaning towards industrialisation, August Rau kept up the tradition of independent craftsmanship. Gennady Filimonov tells the story of his long career and examines several examples of his work
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Making Matters: Shaping the head
Violin makers have always been aware of physical issues like repetitive strain injury – but it’s just as important to take care of their mental health and wellbeing. John Beames examines some of the most common problems, and suggests some ways to combat them
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Making Matters: Hidden in plain sight
The Stradivari moulds preserved at Cremona’s Museo del Violino still have secrets to give up. David Beard re-examines all 17 survivors to find how they reveal details from rib heights to the maker’s working method
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Violin making in Seoul: Gangnam style
Over the past decade, a wide community of violin and bow makers has grown up in the Seocho district of Seoul. Luthier Hagit Gili Gluska speaks to colleagues young and old, both local and from overseas, who have made this area their home
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In Focus: A 1911 cello by Guglielmo Secondo Camillo Mandelli
Lionnel Genovart looks at the Italian maker’s instrument
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Focus
Overcoming our addiction to tropical hardwoods: the latest alternatives
As ebony and rosewood become endangered, the likes of spruce, maple and boxwood are being scientifically modified to offer luthiers alternatives. Tom Stewart explores the brave new world of sustainable fittings
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‘The kind of varnish used is simply a matter of taste’: From the Archive: May 1932
US violin maker Edward Hellier-Collens gives readers of The Strad the benefit of his expertise: good violin tone lies not in the varnish after all, but in the ‘filler’ (ground coat)
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News
’My home and my violin shop are completely destroyed’: a call for help from a Mariupol luthier
UPDATE: A GoFundMe page in aid of luthier Oleksandr Smykovskyi has now been launched