All Lutherie articles – Page 22
-
Premium ❘ FeatureTrade Secrets: Replicating peg shapes without a copying lathe
A device for maintaining the same shape and diameter of instrument pegs during the carving process
-
FocusSmall wonders: Building bridges
John Dilworth pontificates on bridges in this article from September 2013
-
Premium ❘ FeatureIn Focus: An 1819 David Stirrat violin
David Rattray examines an instrument by the Edinburgh maker
-
FocusSmall wonders: The soundpost
For John Dilworth, an instrument’s heart and soul lie in one tiny piece of spruce
-
Premium ❘ ArticleAuction Report June 2023: The Rosenberg Collection
The collection of London-based dealer Norman Rosenberg provided a boost in interest and activity at London’s spring sales, as Kevin MacDonald reports
-
Premium ❘ FeatureIn Focus: A 1660 Jacob Stainer viola
Bradley Strauchen-Scherer takes a closer look at a viola from one of the most important makers of the violin family
-
Premium ❘ FeatureTrade Secrets: Repairing a broken bow head
A less invasive and more reversible version of a well-known repair method
-
FocusSmall wonders: The tailgut
How gut, steel, nylon and now parachute cord have brought change to the luthier’s craft
-
Premium ❘ FocusBow maker James Tubbs - From the archive: June 1913
Towry Piper gives an account of the life and work of London bow maker James Tubbs (below), still going strong at the age of 78
-
Premium ❘ FeatureIn Focus: a 1902 Enrico Rocca violin
Alberto Giordano examines a violin from maker with an interesting past
-
Premium ❘ Feature‘Violin playing is important in Cypriot culture’ - My Space: Michalis Pantelides
The Cypriot violin maker takes us round his well-appointed workshop in the capital, Nicosia
-
FocusSmall wonders: The linseed
For John Dilworth, the humble grain’s oil can enrobe a violin’s bare wood and flaunt its rippling curves
-
Premium ❘ FeaturePlate archings and tone: Room to breathe
Nigel Harris presents evidence, theoretical and experimental, regarding the ‘breathing action’ of the plates
-
Premium ❘ FeatureIn Focus: A c.1718 Daniel Parker violin
John Dilworth takes a closer look at a violin by the English maker
-
Premium ❘ FeatureIn Focus: A 1894 violin by Gaetano Antoniazzi
Sean Bishop looks at a violin by one of modern Italian lutherie’s pioneers
-
FocusSmall Wonders: The top-block
For John Dilworth, a simple piece of willow or spruce can become a sanctum for covert messages
-
Premium ❘ FeatureMaking Matters: Instrument resonance
The tonal qualities of great instruments continue to prove profoundly enigmatic when we seek to unlock their secrets, as Martin Horvat explains
-
Premium ❘ FeatureTrade Secrets: Restoring the octagon of a violin bow
A repair method that avoids having to rebuild the whole octagon from scratch
-
Premium ❘ FeatureIn Focus: A 1669 Richard Meares bass viol
Shem Mackey takes a look at a Meares bass viol with distinctive carved head
-
Premium ❘ FeatureLuthiers sans Frontières: Beyond the limits
Peter Somerford speaks to representatives of Luthiers sans Frontières
