All Lutherie articles – Page 18
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Premium ❘ FeatureIn Focus: A 1932 tenor viola by Jacint Pinto
Jordi Pinto examines an unusual tenor viola made by his own great-uncle, Jacint Pinto
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Premium ❘ FeatureNewark School of Violin Making: Fifty years young
The Strad looks back on 50 years of the UK’s best-known institution for lutherie and the many well-known names who have passed through its doors as students
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Premium ❘ FeatureThe hidden treasures of Pietro Guarneri of Mantua
Pietro Guarneri of Mantua was an undisputed master luthier, even though very few examples of his work remain. Andrea Zanrè examines three ‘violettas’ that until now have been overlooked
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NewsLetter from Ukraine: Lviv violin maker Orest Putsentela
The Ukrainian luthier gives an insight into his life and work, six months after the outbreak of war in his country
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BlogsNewark School of Violin Making: The early days
The UK’s Newark School of Violin Making celebrates its 50th anniversary in September 2022. Luthier Adam Whone, one of its very first students, recalls the learning environment he discovered, aged 16, and the three years of tuition at the school
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Premium ❘ Article‘Centuries ago, Stradivari had no idea ivory would be subject to legal issues’: Letters to the editor September 2022
A selection of letters The Strad receives each month from its readers around the world: September 2022 issue
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Premium ❘ FeatureTrade Secrets: Making a Baroque cello bridge
A method that allows the luthier to create their own design rather than rely on a pre-cut template
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Premium ❘ FeatureMaking Matters: How six bow makers crafted a bow in three days
Making a bow in three days is a tall order for anyone – but for six bow makers together? Pierre Nehr explains how April’s ‘Bow Rush’ event in Paris became an educational experience for all concerned
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Premium ❘ FeatureMy Space: Martin Krause
The luthier, based in Saarbrücken, Germany, invites us into his workshop
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Premium ❘ Feature‘Interventions led to an almost total removal or retouching of the original materials’ - Comparing three 1734 Guarneris
Giacomo Fiocco explains the technical methods used to analyse a trio of 1734 Guarneris
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Premium ❘ FeatureRevealing Sartory's secrets: A look at one of the 20th century's finest bow makers
Often called the finest bow maker of the 20th century, Eugène Sartory was a fastidious artisan whose work shows efficiency and reliability. Richard Morency examines a bow from Sartory’s middle period to reveal his working methods
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Premium ❘ FeatureIn Focus: A 1766 cello by Carlo Ferdinando Landolfi
Philip Brown looks at the Milanese maker’s mid-century instrument
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NewsNicolò Gagliano violin recovered in Berlin
The priceless instrument, missing for three years, was discovered by police conducting a different investigation
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Focus‘Every day there is something new’: Pekka Kuusisto on the c.1709 ‘Scotta’ Stradivari violin
Recently loaned the instrument by a patron through Tarisio, the violinist shares his thoughts on playing this ’golden period’ Strad
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ReviewBook review: The Luthier’s Manual by J.C. Maugin
Andrew Dipper delves into a new translation of the 19th-century treatise by John Saucier, W. Brad Holley and Kate Rickenbacker
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Premium ❘ FeatureIn Focus: An 1875 viola by Domenico Degani
Ernst Fuchs details an instrument by the accomplished maker, now best-known as the father of Eugenio Degani
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NewsScottish violin maker Brian Rattray dies aged 83
The luthier ran a successful workshop in Colinton, on the outskirts of Edinburgh
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GalleryPhoto gallery: Ionel Manciu’s Gennaro Gagliano violin
Violinist Ionel Manciu provides an up-close look at his Gennaro Gagliano violin ahead of his appearance with the Mithras Piano Trio at Music at Paxton
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Premium ❘ FeatureFrançois-Nicolas Voirin: The Second Tourte
The bows of François-Nicolas Voirin had more influence than those of any other bow maker after F.X. Tourte. In the first of two articles, Matt Wehling explores Voirin’s life and career, and examines why his bows were so successful with players
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Premium ❘ FeatureIn Focus: A 1762 violin by Gennaro Gagliano
Yuri Pochekin examines the Neopolitan maker’s 18th-century instrument