![Ayanna Witter-Johnson [Jordan Woods] 7](https://dnan0fzjxntrj.cloudfront.net/Pictures/274x183/4/9/4/44494_ayannawitterjohnsonjordanwoods7_224583.jpg)
All Lutherie articles – Page 13
-
Premium ❘ FeatureMaking Matters: Testing an instrument’s sound using weight ratios
In contrast to the normal practice of using tap tones to determine an instrument’s sound, Veikko Jaatinen presents a method based on the weight ratios of a violin’s various parts
-
BlogsWhy I rotate between seven bows: cellist David Finckel
From 19th-century French bows to modern carbon fibre, David Finckel outlines why each of his seven bows has a time and place in his music making
-
FocusThe Strad Calendar 2025: 1715 Domenico Montagnana violin
A rare example of a violin by the noted Venetian maker of cellos, it has a two-piece back of irregular figure
-
Premium ❘ FeatureIn Focus: A c.1750 violin by Michele Deconet
Peter Koerner examines the French maker’s mid-century instrument
-
NewsOne gold medal awarded at 2024 Cremona Triennale violin making competition
Alessandro Peiretti received the award in the cello category, while Liu Zhaojun, Borja Bernabeu and Michele Dobner all received silver medals
-
FocusThe Strad Calendar 2025: 1700 ‘Taft’ Antonio Stradivari violin
Boasting beautiful orange–red varnish, it was formerly played by Emil Heermann, concertmaster of the Cincinnati Symphony Orchestra
-
Premium ❘ FeatureThe Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
-
Premium ❘ FeatureTrade Secrets: Preparing the wood surface before varnishing
Samuel Peguiron shares a method involving a bespoke mixture and wood shavings
-
FocusThe Strad Calendar 2025: 1706 ‘Brott-Turner’ David Tecchler cello
The first instrument ever added to the Musical Instrument Bank of the Canada Council for the Arts, it is a masterpiece of the Rome-based luthier’s work
-
VideoVideo: 15 Guarneri ‘del Gesù’ violins in less than 4 minutes
Highlights from David Garrett’s 2024 ‘Del Gesù’ Club, bringing together fine Guarneri instruments from all over the world
-
Blogs‘Del Gesù’ Club brings together 17 Guarneri violins
Organised by David Garrett, the annual two-day event allows owners and players of Guarneri ‘del Gesù’ violins to play and examine each other’s instruments
-
Premium ❘ FeatureFrom the land of a hundred violins: Amedeo Simonazzi
The luthier Amedeo Simonazzi was born into a region with a strong native musical tradition – which is almost forgotten today. Stefano Pio reveals how his surroundings influenced his career
-
BlogsWhy I only make violas: luthier Gabrielle Kundert
The maker shares why she has dedicated her craft to the viola, as we take a close-up look at her copy of a 1787 Castello viola commissioned by National Symphony Orchestra principal violist Daniel Foster
-
Premium ❘ FeatureMaking Matters: Optimising sound spaces for good acoustics
Any luthier’s workshop requires a room or area with good acoustics to assess an instrument’s sound quality. Gideon Baumblatt and Simon Eberl explain how they optimised their sound spaces
-
Premium ❘ FeatureTrade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
-
Premium ❘ FeatureMy Space: Olivier Calmeille’s Montpellier workshop
Examine the Atelier Scordatura in the south of France
-
Premium ❘ FeatureIn Focus: An 1845 violin by Johann Georg Stauffer
Jakob Nachbargauer and Adrian Elschek examine a mid-century violin by the successful Austrian guitar maker
-
Premium ❘ FeatureCentre of attention: centring and alignment
Inspired by the work of the Cremonese masters, David Folland explains his method for finding the centre line of an old instrument
-
GalleryPhoto Gallery: Celebrating Women Luthiers at Sapp Violins
The final instalment of the international exhibit took place from 13 to 19 July 2024
-
Premium ❘ FeatureA unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
