Left hand – Page 3
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BlogsA novel way to practise double-stops - Rachel Barton Pine
The US violinist advocates emphasising either the top or bottom lines when practising double stopped scales to anticipate more accurately what occurs in the repertoire
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BlogsViolinist Alexander Sitkovetsky on the importance of practising scales
Scales are invaluable to all aspects of playing says the Royal Academy of Music and Royal Northern College of Music violin professor
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BlogsDeveloping a natural and relaxed approach to string playing – part 2
Portland State University professor Dr Tomas Cotik gives an introduction to kinesthetic feelings and demonstrates techniques and exercises
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BlogsDeveloping a natural and relaxed approach to string playing - part 1
Portland State University professor Dr Tomas Cotik gives an introduction to kinesthetic feelings and demonstrates techniques and exercises
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Blogs'Portamento, when used tastefully, can bring a piece to life,' says violinist Aaron Rosand
The American virtuoso examines how the great 20th-century violinists used the ‘gliding technique' to bring personality and individuality to their interpretations
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Focus7 ways to improve your trills
Tips from The Strad’s archive for improving trill speed and clarity, and for varying ornamental style according to musical period
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FocusHow to play fast passages without tension, by cellist Tsuyoshi Tsutsumi
Sometimes our hands know exactly what to do, if only we'd let them, says the Japanese artist
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DebateWhy are string players today so afraid to use portamento?
Composers expected it and the music itself seems to demand it. Tully Potter argues for a return to swoops and scoops
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FocusHow to encourage a relaxed left-hand thumb in string students
Top viola teacher Bruno Giuranna answer a reader's question for The Strad's Teacher Talk section
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FocusThe importance of lateral movement in the left hand for string players
Surprisingly little has been said in the literature about the sideways left-hand movement, although any passage over more than one string uses it. Rok Klopčič researches
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ArticleThe Strad Technique: Michael Frischenschlager’s Violin Scale System Part 2
Michael Frischenschlager, professor emeritus at the University of Music and Performing Arts, Vienna, explains Part 2 of his two-octave violin scale and arpeggio system, as featured in The Strad's December 2015 issue. In this exercise the focus is on shifting - playing two-octave scales, arpeggios, dominant and diminished 7ths on ...
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ArticleViolinist Christian Tetzlaff on whether or not to practise scales
Sometimes in a concert if you feel tense or unsure, you might want muscle memory and motor skills to take over for a while so you can remove yourself from the performance and calm down...' Violinist Christian Tetzlaff and neurologist Dr Steven Frucht talk about whether scales and technical exercises ...
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ArticleThe Strad Technique: Michael Frischenschlager's Violin Scale System
Michael Frischenschlager, professor emeritus at the University of Music and Performing Arts, Vienna, explains his two-octave violin scale and arpeggio system for improving tone and intonation in The Strad's December 2015 issueStudents work in pairs, playing in harmony, and perform each exercise ppp and fff, in major and ...
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FocusHow to improve your playing with slow practice
Does slow and steady win the race when it comes to practice, or does a more up-tempo approach bring the best results, asks Rok Klopčič
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Focus5 views on playing the perfect harmonic
Learning how to do harmonics properly is invaluable to a player’s left hand, bow arm and intonation – as the following tips from The Strad's archive demonstrate.
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FocusAsk the Experts: how to cure a locked left-hand fourth finger
Strad readers submit their problems and queries about string playing, teaching or making to a panel of experts
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FocusUsing harmonics as a violin teaching and practice tool
Although harmonics are most often used for musical effect, in the search for a perfectly pure sound they can be a wonderful aid to learning and practice, argues Laura Reed
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FocusAsk the Experts: how to help a student with a short fourth finger
Strad readers submit their problems and queries about string playing, teaching or making to our experts
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ArticleViolinist Itzhak Perlman performs the Devil's Trill Sonata
Violinist Itzhak Perlman demonstrates impressive ornamenting skills in Giuseppe Tartini's Devil's Trill Sonata. Discover 7 ways to improve your trills from The Strad's archive. Subscribe to The Strad or download our digital edition as part of a 30-day free trial. To purchase single issues click here.
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BlogsI never practise scales and studies from books, says violinist James Ehnes
The Strad’s November issue cover star on why pieces contain almost all the technical components necessary for practice
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