Historical – Page 18
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Video
Paganini's 'Il Cannone' violin played in Columbus, Ohio
This clip from the Columbus Dispatch shows Columbus Symphony concertmaster Joanna Frankel trying out ‘Il Cannone’, Paganini’s favourite violin, during its weeklong stay at the Columbus Museum of Art. The violin, made in 1743 by Guarneri ‘Del Gesù’, was nicknamed ‘Il Cannone’ (the cannon) by Paganini because of its power ...
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Focus
Jascha Heifetz – champion of modern violins
Dario Sarlo reveals a lesser-known passion of the great violinist, and how it led him to start his own lutherie competition
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Video
Paganini's violin arrives in Columbus, Ohio
This clip from WCMH news in Columbus, Ohio, shows ‘Il Cannone’, Paganini’s favourite violin, arriving for a weeklong stay at the Columbus Museum of Art. The violin, made in 1743 by Guarneri ‘Del Gesù’, was nicknamed ‘Il Cannone’ (the cannon) by Paganini because of its power and projection. It will ...
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Premium ❘ Feature
Forms of mystery
Andrea Zanrè and Philip Ihle conclude their examination of Stradivari’s moulds, with the aid of micro-CT imaging by Rudolf Hopfner, by exploring whether the Cremonese master may have used more than the twelve forms that survive in the Museo del Violino
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Inside information
Very often neglected, the chamfers of a bow head can give intimate clues as to a maker’s working style and personal characteristics. Anton Lu and Dai-Ting Chung compare and contrast bows from the Baroque era to the present day
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Looking after Paganini’s ‘Il Cannone’ violin
Entrusted with the task of conserving one of the world’s most valuable violins, Bruce Carlson has made it easier to play, while taking it closer to how it would have looked to Paganini. In this article first published in 2004, he explains
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In focus: c.1870 viola by Carl Mettus Weis
Jens Stenz examines a c.1870 viola by the Danish maker
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Premium ❘ News
Top lots from the London sales
A record-breaking Gofriller and possibly the oldest British viola drew Kevin MacDonald’s attention in the March auctions
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News
Home visit for Cremonese instruments from US National Music Museum
The Museo del Violino prepares to welcome instruments by Stradivari, the Amatis and others from collection housed in Vermillion, South Dakota
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Focus
In focus: 1675 violin by Francesco Rugeri
In this article from the December 2014 issue, Fausto Cacciatori takes a close look at a fine example of a rather enigmatic maker with links to Nicolò Amati
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In focus: c.1690 violin by Willem van der Sijde
Hubert De Launay takes a close look at a violin with full arching, unusually placed f-holes and a slender swan necked scroll
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Focus
In focus: 1751 violin by G.B. Guadagnini
One of two by the maker owned by Adolph Brodsky, it has a good claim to being the one on which he premiered the Tchaikovsky concerto, writes Stewart Pollens
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Debate
Why musicians should appeal against the ivory act
Benjamin Hebbert on the ethical tightrope of campaigning for exemptions to the Ivory Act while supporting its aim to put a stop to the slaughter of elephants
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Focus
In focus: c.1737 cello by G.F. Celoniato
From a Turinese maker with a relatively short but successful career, from which only a handful of instruments survive, comes this elegant cello. Article by Simon Morris
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Video
Frank Peter Zimmermann talks violins
In this video, Frank Peter Zimmermann describes what it means to have a long-term relationship with your instrument, and how you know which violin is right for you.
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News
Rostropovich's record-breaking Guadagnini on loan to Torleif Thedéen
Norwegian musical instrument foundation bought the cello for nearly £2m from an auction of the great Russian’s collection
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Focus
In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello
Tom Wilder examines an instrument in an excellent state of preservation by the foremost maker of the Roman school. From the September 2014 issue of The Strad
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In focus: 1850 violin by Giuseppe Rocca
John Dilworth examines a violin from the height of Rocca’s powers, after he left the Pressenda workshop to strike out on his own. From the January 2011 issue of The Strad
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Focus
In focus: 1764 violin by Giovanni Battista Gabrielli
In this article from the February 2009 issue, Gabriele Rossi Rognoni examines an instrument by probably the most prominent Florentine maker, about whom very little information survives. Photographs by Marco Rabatti, Serge Domingie