Featured Stories – Page 181
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FocusViolist Lesley Robertson on taking the plunge with laser eye surgery
In this Health Matters article from The Strad, June 2009, the St Lawrence Quartet player describes the process of having her eyes lasered
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Blogs
The art of distraction is more effective than repetitive practice
Repeating a difficult passage over and over again can lead to stress and tension. Instead distract your mind at the point of execution to feel relaxed as you play, writes cellist Thomas Demenga
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DebateNow is the time for the double bass to shine
After centuries of neglect, the double bass is receiving the attention it has always deserved. Jeff Bradetich argues that now is a great time to be a bassist
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DebateWhy we should take Chinese players seriously
Using the lazy assumption that string players from China have ‘great technique but no musicality' ignores the talent that they bring to Western music, says Nancy Pellegrini
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DebateGet rid of histrionics in quartet playing
Over-the-top emoting by individual players ruins the whole point of chamber music, says David Kettle
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FocusWhat criteria should be followed to determine what bowing to use in bass music?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusFrom the archive: Vibrato on the Violincello
In this article published in The Strad, May 1912, Emil Krall offers some instruction
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FocusShould all performers learn how to teach?
Performance degree students should put all their energies into becoming great performers, and leave learning teaching skills to their music education counterparts – right? Wrong, say Cornelia Watkins and Laurie Scott, authors of From the Stage to the Studio: how fine musicians become great teachers. In an exclusive article in ...
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BlogsWhat happened to Ginette Neveu's Stradivari?
Delve into The Strad Archive to find out what happened after the violinist's untimely death in a 1949 plane crash
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FocusSzigeti as teacher: Frances Kramer
In the October 2013 issue, violinist Arnold Steinhardt recalls how he spent the summer of 1962 studying with Joseph Szigeti at his home in Switzerland. Just three years after Steinhardt's year with the great musician (pictured), violinist Frances Kramer wrote this account, published in the November 1965 edition, ...
