All Featured Stories articles – Page 51
-
Premium ❘ Focus‘Its brilliance overwhelmed me with emotion’ - Philippe Quint on Franck’s Violin Sonata
The Russian-born American violinist shares how César Franck’s masterpiece opened his eyes to the vast possibilities of Romantic repertoire
-
Premium ❘ Feature‘Music is part of our existence, even under shell-fire’: String players of the Great War
In our August 2014 issue, Tully Potter tells the extraordinary tales of some of the myriad string players caught up in the action of the 1914-18 war
-
Premium ❘ ArticleAnalysis December 2022: A safe space for musicians?
As the UK government holds an inquiry into misogyny in music, the Musicians’ Union calls for further action to safeguard female players.
-
BlogsHow we transcribed an entire opera for violin and piano: violinist Mathieu van Bellen
How can the rich orchestration and lyricism of Puccini’s La Bohème translate to only two instruments? Violinist Mathieu van Bellen shares how
-
Blogs‘Paganini: a whole gamut of advanced techniques’ - Mathilde Milwidsky and Robert Taub
How do you create a recital programme around Paganini? Violinist Mathilde Milwidsky and Robert Taub share their inspirations ahead of a performance at Plymouth’s Levinsky Hall
-
Blogs‘Putting myself in my ancestors’ shoes’: Cellist Natasha Jaffe
Cellist and composer Natasha Jaffe on finding a way to explore her transatlantic heritage, despite the obstacles of lockdown
-
Premium ❘ Focus‘Only give it as much as you need’ - Thomas Demenga’s life lessons
The Swiss cellist on the importance of memorisation and the influence of different systems
-
Article‘It was like the earth moved beneath me’ - violinist Leonidas Kavakos on playing the ’Willemotte’ Stradivari
Kavakos describes his first encounter with the 1734 violin, made when Antonio Stradivari was 90 years old
-
Blogs‘Like day and night’: The Jubilee Quartet on two contrasting Schubert works
The Jubilee Quartet reflects on two Schubert string quartets that represent starkly different periods of the composer’s life
-
Blogs‘Like solving a Rubik’s Cube while dancing at the same time’: violinist Robert McDuffie
Robert McDuffie reflects on the challenges of works by John Adams, Philip Glass and John Corigliano ahead of his album release on 4 November
-
Premium ❘ Focus‘I was falling in love with chamber music all over again’ - Postcard from Napa Valley
Laurence Vittes finds that the combination of chamber music and the vineyards of California’s Napa Valley makes a festival that’s hard to resist
-
BlogsHow to improve your aural skills and ditch your sheet music in 5 easy steps
Simplicity, curiosity and diligence are the keys to learning by ear, according to violinist Lissa Schneckenburger
-
Premium ❘ Feature‘I want to write music where the sensibilities of the player are encouraged’ - Caroline Shaw
The youngest ever winner of the Pulitzer Prize, Caroline Shaw talks to Toby Deller about her eclectic influences and finding inspiration in the most unlikely places
-
GalleryA walk through the Giovanni Bottesini exhibition
An exhibition celebrating the life and times of the influential double bassist was held from 10 to 18 October in Crema, Italy
-
Premium ❘ FeatureBlack community orchestras in the US: Hidden histories
During America’s 20th-century social inequalities, African American musicians set up their own community orchestras, Eliesha Nelson traces their history and legacy
-
Blogs‘The harrowing history of apartheid underpins the work’: Samantha Ege
Samantha Ege offers her insights working with Castle of our Skins on their programme of chamber works from the African continent and diaspora
-
Blogs‘Throw, snatch, shower, cascade’: How United Strings of Europe combines string playing with jugglers
Music director and violinist Julian Azkoul shares what it’s like to perform with live-action jugglers in a new work exploring social and artistic recovery
-
Blogs‘It begins with awareness of the unmistakable link between music and emotions’ - Sarah Daramy-Williams
Violinist Sarah Daramy-Williams explores a more holistic approach to creating music outside the rigid forms and boxes of the traditional classical world
-
Premium ❘ Focus‘It seemed like the Mount Everest of the repertoire’ - Nicolas Altstaedt on Dvořák's ‘Dumky’ trio
Dvořák’s ‘Dumky’ Piano Trio always seemed like the Mount Everest of the repertoire, until the Covid lockdowns gave the German cellist a chance to find the real meaning behind it
-
Premium ❘ FeatureSession Report: the Chiaroscuro Quartet on Mozart’s ‘Prussian’ Quartets
The members of the Chiaroscuro Quartet on combining detailed preparation while retaining a sense of spontaneity when recording Mozart’s ‘Prussian’ Quartets
