All Feature articles – Page 3
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FeatureSentimental Work: Camille Thomas
The Franco-Belgian cellist gave an impassioned premiere performance of Fazil Say’s cello concerto ‘Never Give Up’ in 2018, and has now recorded the piece for Deutsche Grammophon
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FeatureLeadership and diplomacy: how to be a good orchestral concertmaster
A piece from our archive in which former concertmaster John Georgiadis, who died on Tuesday, tells Julian Haylock his memories of the London Symphony Orchestra
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FeatureSentimental Work: Narek Hakhnazaryan
For the Armenian cellist, Tchaikovsky’s Rococo Variations allows for incredible freedom of expression – and even has the ability to heal
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FeatureSentimental Work: Ray Chen
The Preludio and Gavotte en Rondeau from Bach’s Violin Partita no.3 were the violinist’s key to the Sonatas and Partitas – and provide meaning in the depths of the Covid-19 pandemic
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FeatureSentimental Work: Anssi Karttunen
For the Finnish cellist, Magnus Lindberg’s Cello Concerto no.2 embodies his lifelong working relationship with the composer, through a complex set of emotions
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FeatureHow do you make a music school on a bus?
Petru Cotarcea, founder of Lyceum Music, explains how he set up his music school on a London double-decker bus
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FeatureSentimental Work: Tasmin Little
The Brahms Violin Concerto has been at the heart of several of the British violinist’s most memorable performances
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FeatureSentimental Work: Vadim Repin
Despite a shaky beginning, Prokofiev’s Violin Concerto no.2 has become one of the most beloved pieces in the Russian violinist’s repertoire
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FeatureSentimental Work: Roby Lakatos
‘The devil’s fiddler’ explains why Monti’s Csárdás has been a mainstay of his repertoire since the earliest days – and why it still brings out the creativity in him and his collaborators
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FeatureSentimental Work: Steven Isserlis
Beethoven’s Cello Sonata no.4 was the gateway the British cellist needed to understand the myriad delights and complexities of the composer’s work
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FeatureCoping with Covid: How string courses dealt with the pandemic in 2020
During 2020 music courses around the world were forced to contend with travel restrictions and distancing regulations owing to Covid-19. Some were able to adapt with scaled-back live events, while others turned to online solutions. As the pandemic continues, Peter Somerford investigates how courses plan to operate in 2021
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FeatureSentimental Work: Maxim Vengerov
The First Violin Concerto by Shostakovich brings back memories of the Russian violinist’s first meeting with Mstislav Rostropovich – an encounter that blossomed into firm friendship
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FeatureHow are string soloists coping with the coronavirus lock down?
As social distancing causes unprecedented disruption to concert schedules around the world, several soloists share their coping strategies and plans for the future.
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FeatureHow to set yourself up as an online string teacher
Violinist and longtime distance-teacher Mary-Elizabeth Brown presents an essential guide to teaching online, from setting up a home studio and preparing your students, to safeguarding and health & safety. With tips on adapting your teaching methods for the online environment
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FeatureHow knowledge of physics can improve your sound
Understanding the basic physics of string movement can help us produce a richer, more ringing tone, says professor of violin Wendy Case
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FeatureMatched quartets: a dream commission?
What does a string quartet look for when commissioning a matching set of instruments, and how do luthiers go about fulfilling such a project?
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FeatureSentimental Work: Leonidas Kavakos
For the Greek violinist, Beethoven’s Violin Concerto stands apart from the rest of the repertoire – and requires a very special method of interpretation
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FeatureThe promise of Youth: Postcard from London
The 2019 Highgate International Chamber Music Festival showcased a variety of repertoire performed in partnerships established especially for the event. But, says Tom Stewart, it is the festival’s commitment to educational outreach that is particularly admirable
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FeatureHow to replace a quartet member, by the Ébène Quartet
In conversation with Charlotte Gardner, the French players discuss group chemistry and reveal how they have retained their sound with their newest member, violist Marie Chilemme
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FeatureSentimental Work: Jean-Luc Ponty
The French jazz violinist–composer has recorded his 1976 piece ‘Renaissance’ three times – but it’s the original version that remains close to his heart
