All Concerts articles
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ReviewFestival round-up: 2026 Edinburgh International Festival and Fringe
String players loomed large at this year’s Edinburgh International Festival and Fringe (7–31 August), as David Kettle discovered
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ReviewConcert review: Adrian Brendel (cello) Dénes Várjon (piano)
Janet Banks visits London’s Wigmore Hall on 12 July 2026 for the recital of Beethoven, Brahms, Kurtág and Dohnányi
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ReviewFestival round-up: Rencontres Musicales d’Évian
Charlotte Gardner reports on two days (1–2 July) of string-related highlights at the festival, which took place at Évian-les-Bains, France, from 24 June to 5 July
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ReviewConcert review: Maya Anjali Buchanan (violin) Romain-Olivier Gray (cello) Hao Yang (guitar)
Bruce Hodges visits the Curtis Institute of Music’s Field Concert Hall on 25 July 2026 for an evening of Coleridge-Taylor Perkinson, Mark Summer, Gershwin, Reena Esmail, Mark O’Connor and Piazzolla
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ReviewConcert review: Shanghai Quartet
Bruce Hodges hears a recital of Haydn, Zhou Long, Dvořák and Beethoven at Studzinski Hall, Bowdoin, on 27 July 2026, part of the Bowdoin International Music Festival
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ReviewConcert review: Timothy Ridout (viola) Britten Sinfonia/Thomas Larcher
Edward Bhesania attends London’s Wigmore Hall on 7 July 2026 for the recital of Britten, Pärt, John Adams, Hindemith and Bach
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ReviewConcert review: Pinchas Zukerman (violin, viola) Zurich Chamber Orchestra/Daniel Hope (violin)
Carlos María Solare visits the Festspielhaus in Baden-Baden, Germany, for the concert of Haydn and Mozart on 12 July 2026
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ReviewConcert review: Various artists at the Bowdoin International Music Festival
Bruce Hodges visits the Studzinski Recital Hall on 3 July 2026 for the Bowdoin International Music Festival performance of Paul Wiancko, Elizabeth Ogonek, Schulhoff and Smetana
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ReviewConcert review: Renée Jolles (violin) Melissa Reardon (viola) David Ying (cello) Dōnum Quartet, Soyeon Kate Lee, Ran Dank (piano)
Bruce Hodges hears the concert from the Bowdoin International Music Festival, which took place at the Studzinski Recital Hall on 1 July 2026 and featured works by Schubert, Elizabeth Ogonek and Bartók arr. Logan Skelton
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ReviewConcert review: Ying Quartet
Bruce Hodges reports from the Bowdoin Festival, where the quartet performed Haydn, Beethoven and Billy Childs at the Studzinski Recital Hall on 29 June 2026
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ReviewConcert review: Stella Chen (violin) Orchestra of St Luke’s/Nicholas Mcgegan
Leah Hollingsworth hears the performance of Mozart and Bach at New York’s Zankel Hall, Carnegie Hall, on 16 June 2026
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ReviewConcert review: Carter Brey (cello) New York Philharmonic/Elim Chan
Leah Hollingsworth visits New York’s David Geffen Hall on 27 May 2026 for the performance of Noriko Koide, Saint-Saëns and Prokofiev
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ReviewConcert review: Pieter Wispelwey (cello) Orchestra Of St Luke’s/Nicholas Ellis
Leah Hollingsworth braves the warm weather of 10 June 2026 to hear the performance of Bach and Haydn at Zankel Hall, in New York’s Carnegie Hall
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ReviewConcert review: Laura van der Heijden (cello) London Symphony Orchestra/Oliver Zeffman
Hattie Butterworth hears the performance of Barber, Ravel and Henriëtte Bosmans at London’s Barbican Hall on 14 June 2026
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ReviewConcert review: Alina Ibragimova (violin) Christian Poltéra (cello) Cédric Tiberghien (piano)
Hattie Butterworth visits Lonodn’s Wigmore Hall on 15 June 2026 for the recital of Ravel and Debussy
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ReviewConcert review: Sphinx Piano Quintet
Edward Bhesania hears the performance of Coleridge-Taylor Perkinson, Vaughan Williams, William Grant Still, Cassie Kinoshi and Bridge at London’s Wigmore Hall on 17 June 2026
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Review‘String-related gorgeousness’: Aldeburgh Festival 2026 round-up
Harriet Smith reports from the Aldeburgh Festival, where string works were much in evidence
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ReviewConcert review: Hsin-Yun Huang (viola) Brentano Quartet
Bruce Hodges hears a marathon performance of all six of Mozart’s string quintets at the American Philosophical Society on 10 May 2026
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ReviewConcert review: Leila Josefowicz (violin) Philadelphia Orchestra/Matthias Pintscher
Bruce Hodges hears the performance of John Williams, Copland and Matthias Pintscher himself, at Philadelphia’s Marian Anderson Hall on 1 May 2026
