All Technical articles – Page 13
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Premium ❘ FeatureMaking Matters: Why varnish matters
Ulrike Dederer reviews and summarises new research on how multilayered varnishes influence the moisture protection and vibrational properties of tonewood
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Premium ❘ FeatureThe Lost Art of Cremonese Violin Archings
The old Cremonese luthiers’ method of designing violin archings has been lost in the mists of time. Andrew Dipper uses evidence from 18th-century manuals to propose how they might have done it, through a system encompassing string lengths, internal forms… and a lot of mathematics
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VideoThree cellists test out a newly-made cello
In this video, Ian McWilliams, an instrument maker working just outside Berlin, asks three cellists (Rolando Fernandez, Martina Biondi, Mon-Puo Lee) to play a cello that he finished making in early 2020 to get a sense of its potential. They play three different pieces of music with three different bows. ...
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FocusThe secrets of Giuseppe Ceruti’s making style
The Cremonese luthier Giuseppe Ceruti is often overlooked in favour of his more famous son, Enrico. Duane Rosengard examines two matching double basses by Giuseppe to discover the secrets of his making style
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Premium ❘ ArticleSoundpost: Letters to the Editor September 2020
A selection of letters The Strad receives each month from its readers around the world: September 2020 issue
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Premium ❘ NewsAnalysis September 2020: Weathering the storm
What is the future for violin making schools in the era of Covid-19? Tutors from around the world explain the form their courses are likely to take during the autumn term. By Harry White.
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Premium ❘ FeatureTrade Secrets: Making and using a simple collar for self-centring
A useful tool for bow makers, enabling octagonal sections to be accurately centred in a three-jaw lathe chuck
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Premium ❘ FeatureMaking Matters: Thinking outside the soundbox
What effect do elements such as the bass-bar and neck heel have on an instrument’s sound quality? Jan Špidlen made an experimental violin, with a number of adjustable features, to find out
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NewsGuarneri ‘filius Andreae’ cello goes on display in Cremona
The 1692 instrument is owned by the Giuseppe Verdi Conservatory of Music in Milan
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Premium ❘ ArticleSoundpost: Letters to the Editor August 2020
A selection of letters The Strad receives each month from its readers around the world: August 2020 issue
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Premium ❘ FeatureTrade Secrets: Small tools, big help
A number of labour-saving devices designed to make life easier at the workbench
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Premium ❘ FeatureMaking Matters: Beauty and the bridge
The acoustic role of the violin bridge is well known, but what about the aesthetic choices that luthiers make when carving them? John Beames gives a detailed analysis of a favourite bridge to elucidate the process
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Premium ❘ FeatureLutherie Collectives: The Wisdom of Crowds
Violin making is traditionally a solitary career, so why are so many luthiers and bow makers choosing to join collectives? Peter Somerford talks to the founders and members of such groups around the world to discover the benefits of pooling resources, knowledge and time
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VideoCremona Mondomusica trade fair confirmed for 2020
The event for stringed instrument players, makers and dealers will take place from 25 to 27 September
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NewsNew software allows users to recreate the sound of a Stradivarius
Native Instruments’ ‘Stradivari Violin’ uses tones captured at Cremona’s Museo del Violino in January 2019
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NewsLuthier creates tiny playable violins during lockdown
Bavarian violin maker Maria Sandner’s creations can be just 10cm long
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Premium ❘ FeatureTrade Secrets: Designing a bridge for a violin with distorted arching
A solution to a common problem in antique instruments
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