Concert review: Gil Shaham (violin) Czech Philharmonic/Semyon Bychkov

Violinist Gil Shaham dispatched Dvořák’s Violin Concerto with tremendous joy in the company of the Czech Philharmonic and Semyon Bychkov. Shaham’s lush vibrato made for eloquent phrases, which, together with pristine intonation and immaculately articulated runs, resulted in a stunning performance. The second theme was hauntingly nostalgic and, while his playing never lacked intensity or direction, Shaham’s phrasing also allowed the piece to breathe.

The Adagio continued to showcase the violinist’s interplay with the orchestra, and his spinning phrases were emotionally intense but impressively relaxed in execution. Shaham’s balanced approach to the dance of the finale was characterful but moderate – not a barn dance, but something much more refined. Again, the fast passagework was sparkling and Shaham’s exuberance was infectious. By way of an encore, he performed the Gavotte from Bach’s E major Partita with clarity and characteristic generosity of spirit.

After the interval, the Czech Philharmonic and Bychkov returned for a stunning performance of Mahler’s Fifth Symphony, combining colour, skill, beauty and energy, with impressively shaped phrasing and a sense of balance that culminated in a finale that layered soaring melodies with rambunctious passagework.

LEAH HOLLINGSWORTH