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You may have seen a video premiere here last week of a film called Absinthe featuring cellist Alexander Hersh. Absinthe is more than a film series – it’s also an album of music featuring works that were written before the European ban of the highly alcoholic drink, the music from which provides the soundtrack to a crazy narrative that sees Alexander being haunted by a cello-shaped bottle of green liquid.
Alexander speaks to online editor Davina about combining film making, editing, directing, acting – not to mention music making – in collaboration with some close friends to build a creative form of storytelling that provides numerous access points for a wide range of audiences, as well as what classical music can learn from other creative industries.
Scriabin Poem, Op. 32, No. 1 in F-Sharp Major
Alexander Hersh, cello / Victor Santiago Asuncion, piano
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In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.
American collector David L. Fulton amassed one of the 20th century’s finest collections of stringed instruments. This year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s celebrated ‘Lord Wilton’ Guarneri, the Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.