Discover more episodes of The Strad Podcast here
Many of us as string players will find ourselves teaching in one way or another throughout our careers. We learn and pass on this great legacy of tradition that has gone before us. But what else informs our teaching? How do we find our groove, so to speak, as teachers and players?
Cellist Guy Johnston spoke with online editor Davina about finding his teaching style, particularly after returning to his alma mater, the Eastman School of Music in Rochester. What’s it like, returning to the hallowed halls of your former school where you now call your former teachers colleagues? Guy shares his ‘a-ha’ moments of inspiration that he brings into his teaching, as well as his journey to delve into the wealth of teaching resources left to us from cello pedagogues of the past.
Find out more about Guy’s favourite resources here
Night Seasons: I – Nox Perpetua
Rebecca Dale: Night Seasons
Guy Johnston, cello / Tenebrae / Philharmonia Orchestra / Nigel Short
Signum Classics
Listen: The Strad Podcast #107: back to basics with cellist Gabriel Schwabe
Listen: The Strad Podcast #102: teaching students to teach themselves with cellist Laurence Lesser
Listen to more episodes of The Strad Podcast here
The number one source for playing and teaching books, guides, CDs, calendars and back issues of the magazine.
In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.
American collector David L. Fulton amassed one of the 20th century’s finest collections of stringed instruments. This year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s celebrated ‘Lord Wilton’ Guarneri, the Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.
No comments yet