Joanne Talbot
ReviewGaspard Trio: Haydn, Beamish
A fourth volume confirms the mastery of the music and the musicians
ReviewDanel Quartet: Prokofiev
A quartet renowned for Shostakovich turns its attention to his compatriot
ReviewRiccardo Pes: ‘Degenerate Music’ for Cello
A lack of individuality makes for an underwhelming listen
ReviewThe Strad Recommends: Silesian Quartet: Górecki
Mesmerising accounts of works originally written for the Kronos
ReviewLionel Martin: Kabalevsky, Shostakovich, Tchaikovsky
A Mutter protégé impresses in a wide-ranging Russian programme
ReviewJoshua Bell, Matt Haimovitz: Thomas de Hartmann Rediscovered
Two star musicians rehabilitate a neglected Ukrainian
ReviewAdorno Quartet: Castelnuovo-Tedesco
Perceptive readings make the case for a neglected quartet byway
ReviewRoberto Trainini: Casella, Mulè, Pizzetti, Respighi
Italian cello rarities prove a mixed affair, despite powerful characterisation
ReviewKlenke Quartet: Erkin, Ravel, Schulhoff
An enterprising programme in which a Turkish discovery stands out
ReviewThe Strad Recommends: Quatuor Danel: Shostakovich
A powerful new live cycle from these Shostakovich veterans
ReviewThe Strad Recommends: Trio Zimbalist: Auerbach, Dvořák, Weinberg
Performances to sit alongside the finest in this enterprising programme
ReviewTrio con Brio Copenhagen: The Passenger
Music that speaks of trauma is eloquently brought to life
