Lutherie – Page 50
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ReviewBook review: Füssen Lute and Violin Making; A European Legacy
John Dilworth reviews a history of lutherie in the southern German town
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Premium ❘ FeatureTrade Secrets: Making a Tourte-style eye
How to use gold, tortoiseshell and abalone in copies of works by the ‘father of the modern bow’
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Premium ❘ FeatureMaking Matters: Keep the wolf from the door
Joseph Curtin describes a quick and simple method for violinists to eliminate a wolf tone on their instrument, along with the science behind it
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Premium ❘ FeatureStringed instrument myths exposed
Have you heard the one about checking an instrument crack by spitting on it? What about washing your bow hair in hot soapy water? We separate fact from crackpot theory
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VideoAn afternoon with Carlos Arcieri
Luthier Carlos Arcieri is seen in his workshop in this short film by Emilio Seri made in 2018. Arcieri worked Wurlitzer’s in New York under Simone Sacconi and alongside René Morel, John Roskoski, Dario D’Attili, Luiz Bellini, William Salchow, Mario D’Alessandro and Vahakn Nigogosian until the shop closed in 1974. ...
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Premium ❘ FeatureAsk the Experts: how to guarantee a violin's resaleability
Strad readers submit their problems and queries about string playing, teaching or making to a panel of experts
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Premium ❘ GalleryStradivarius at work in his studio by Edgar Bundy
2014 marked the 100th anniversary of the exhibition of British artist Edgar Bundy’s portrait of Stradivarius at work in his studio at London’s Royal Academy of Arts. Although there is some doubt as to the authenticity of the 1893 painting – as no definitive record of the luthier’s appearance exists ...
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VideoCloser to Nature – a documentary about violin maker Dmitry Badiarov
The Russian violin-maker Dmitry Badiarov (based in the Netherlands) developed his love for carving wood after deciding to build his first sailing ship, aged 5. Since then his love for making violins has co-existed with his passion for sailing and the sea. In this film, which was presented at a ...
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Premium ❘ FeatureHouse surveys are standard practice, so why not instrument surveys?
Roger Hargrave argues that buyers should insist that dealers provide full condition reports
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Premium ❘ FeatureAsk the Experts: purchasing the right Baroque bow
A trio of Baroque bow makers give their thoughts on what to look for when making the leap into historically informed playing
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FocusAlan Beavitt: how I became a violin-maker on a remote Scottish peninsula
The luthier shares his experience of living and working in Scorraig, a remote peninsula in the north-west Scottish highlands, recently featured in the news
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BlogsViola Rush: a 3-day collaborative instrument project
Earlier this year, Antoine Gourdon put together a team of four luthiers to make a small viola in three days during the Viola 2019 conference in Paris. Here he introduces the project, shares photos and more
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VideoBrian Paul Benning plays a 1997 Viola d’amore
Brian Paul Benning - Artist-in-Residence at the 65-year-old family-run business Benning Violins in Los Angeles, California - plays a Viola d’amore crafted by violinmaker Eric Benning in 1997.
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Premium ❘ FeatureIn focus: a 1782 cello by William Forster II
Bradley Strauchen-Scherer examines an instrument from Britain’s foremost dynasty of violin and cello makers
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Premium ❘ FeatureTrade Secrets: Regluing split corner-blocks
A reliable method for rejoining blocks split for a restoration, particularly useful for cello repairs
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Premium ❘ FeatureMaking Matters: Baroque to the future
Luthier Mathijs Heyligers has recently completed a project to give the same Baroque set-up to a chamber orchestra’s entire string section. What happened – and how did it change the sound?
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Premium ❘ FeatureA measured approach
Although the many varied methods of stringed instrument making have been analysed countless times, the actual production process has hardly been questioned in its 450-year history. Luan Amorim and Amanda Schwegler use techniques taken from engineering to survey the time and cost factors – and come up with some unusual ...
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FocusIn focus: the 1728 'Milanollo' Stradivari
Roger Hargrave examines the Stradivari ‘Milanollo’ violin of 1728, one of the few of the master’s instruments to keep its original sharpness
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Focus9 views on antiquing a modern violin
Tips and opinions from The Strad's archive on capturing a classic look in new instruments – or not
