All Lutherie articles – Page 43
-
-
Premium ❘ FeatureMaking Matters: Thinking outside the soundbox
What effect do elements such as the bass-bar and neck heel have on an instrument’s sound quality? Jan Špidlen made an experimental violin, with a number of adjustable features, to find out
-
GalleryMy Space: Violin workshops around the world
Some of the most photogenic workspaces to have graced The Strad’s pages in the past few years
-
ReviewBook review: The Sound of Life’s Unspeakable Beauty
Julian Haylock reviews Martin Schleske’s book relating the art of violin making to a profound belief in God
-
NewsGuarneri ‘filius Andreae’ cello goes on display in Cremona
The 1692 instrument is owned by the Giuseppe Verdi Conservatory of Music in Milan
-
Focus'The major asset required in finding the perfect bow is due diligence' – Benjamin Bowman
Violinist and Metropolitan Opera concertmaster Benjamin Bowman has spent his entire playing career in search of ever more subtle and responsive bows. Here, he charts the beginning of his journey to finding his ‘forever bow’
-
-
Premium ❘ FeatureTrade Secrets: Small tools, big help
A number of labour-saving devices designed to make life easier at the workbench
-
-
Premium ❘ FeatureMaking Matters: Beauty and the bridge
The acoustic role of the violin bridge is well known, but what about the aesthetic choices that luthiers make when carving them? John Beames gives a detailed analysis of a favourite bridge to elucidate the process
-
VideoCremona Mondomusica trade fair confirmed for 2020
The event for stringed instrument players, makers and dealers will take place from 25 to 27 September
-
NewsLuthier creates tiny playable violins during lockdown
Bavarian violin maker Maria Sandner’s creations can be just 10cm long
-
Premium ❘ FeatureVihuela de Arco: Unlocking the secrets of the past
A popular instrument of the Middle Ages, the vihuela de arco is only known today from contemporary references and pictures. Javier Martínez explains its significance in the history of bowed instruments, and debunks some of the myths surrounding it
-
-
Premium ❘ FeatureTrade Secrets: Designing a bridge for a violin with distorted arching
A solution to a common problem in antique instruments
-
-
Premium ❘ FeatureMaking Matters: In praise of cypress
The wood of the cypress tree can seem like an unusual alternative for spruce, but both its figure and relative density make it a desirable option. Alan Beavitt explains why he has used it for several instruments
-
FocusA genuine Amati or a clever fake?
Could the cello shown here be one of the eight ‘bass violins’ ordered by Catherine de’ Medici for the court of Charles IX of France? Luthier Filip Kuijken explores the known history of the instrument and considers whether it could be an original Andrea Amati – or a clever fake
-
Premium ❘ ArticleAuction report: June 2020
Despite the Covid-19 pandemic, sales continued at the London auction houses in March. Kevin MacDonald gives a tour of the highlights
-
Premium ❘ FeatureIn Focus: A c.1930 violin by Annibalotto Fagnola
Philip Brown examines an instrument by the Turin violin maker
