All Jennifer Koh articles
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ReviewConcert review: Jennifer Koh (violin) NYO2/Joseph Young
Bruce Hodges reviews the concert at New York’s Carnegie Hall on 15 July 2023, comprising Sibelius, Bernstein, Prokofiev, Carlos Simon and Antonio Abreu
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NewsJennifer Koh takes on artistic director role at the Kennedy Center
The violinist is the new artistic director of the Fortas Chamber Music Concerts, effective immediately
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ReviewBBC Proms review 2022: Lawrence Power, Maria Włoszczowska, Jennifer Koh, Pekka Kuusisto, Tabea Zimmermann, Nicola Benedetti
Peter Quantrill hears some of the more recent additions to the string repertoire at this year’s BBC Proms season
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NewsViolinist Jennifer Koh wins inaugural Eroica Award for Outstanding Service to Music
Presented by the MOLA: An Association of Music Performance Librarians, the award recognises Koh’s advocacy work and commitment to artistic excellence
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NewsViolinist Jennifer Koh wins a Grammy
The Korean-American violinist won the award for Best Instrumental Solo for her recording Alone Together at the ceremony on Sunday night.
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NewsViolinist Jennifer Koh to receive honorary doctorate from Cleveland Institute of Music
The degree recognises Koh’s excellence as a performer, her work to grow contemporary violin repertoire and her commitment to diversity in classical music
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FocusMasterclass: Jennifer Koh on ‘Méditation’ from Souvenir d’un lieu cher
The violinist offers practical tips on the first piece of Tchaikovsky’s set of three short works, including audio and sheet music
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Premium ❘ FeatureMasterclass: Tchaikovsky Souvenir d’un lieu cher
Violinist Jennifer Koh explores how imagination and a flexible technique can help to bring out varied colours and a feeling of dance in these three short works
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ReviewJennifer Koh: Mythologies
Contemporary composer symphonic showcase that’s full of electric energy
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ReviewJennifer Koh: Bach & Beyond – Part 3
Eloquent, artful, yet unadorned playing in the third of Koh’s series
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ReviewConcert reviews: Live-streaming from New York
Bruce Hodges watches a tribute to Lynn Harrell and part of a series by Jennifer Koh, with links in the article