Opinion: how chamber music develops communication and listening skills

18734_ventris_142570

Violist Rosalind Ventris shares her experience of the transformative power of playing chamber music

Discover more Featured Stories like this in The Strad Playing Hub

Read more premium content for subscribers here

When I was about 16 years old, I played the slow movement of Beethoven’s String Quartet in E minor op.59 no.2 in a chamber concert. Feeling totally in awe of this music, I kept thinking: ‘I want to do this for the rest of my life.’ But it was also more than this. It felt like a rare moment of total clarity: after the rewarding process of rehearsals and coaching, in the performance I felt, ‘This is what I love and where I want to be.’….

Already subscribed? Please sign in

Continue reading this article and explore hundreds more…

  • Easy registration

    Sign up to access select Strad content and the option to receive our weekly newsletters

  • Free 7-day subscription

    Full access including all subscriber content and the digital archive

    No strings attached – we won’t ask for card details