All Regulars articles
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Masterclass: violist Emilie Hörnlund on Beethoven String Quartet op.59 no.1
Swedish violist Emilie Hörnlund, of the Chiaroscuro Quartet, discusses how to achieve optimal articulation, balance and flow in the first movement of the first ‘Rasumovsky’ Quartet
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From the Archive: April 1991
In 1989, the Soviet Union removed a cap on the number of people allowed to emigrate from its borders. With many musicians among them, hundreds of thousands headed for Israel, as writer Yossi Schiffmann reports
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Technique: Cello warm-ups - the left-hand
Exercises and advice to help string players develop a left hand that is strong, balanced and agile
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Feature
Sentimental Work: Daniel Hope
Schnittke’s First Violin Sonata was the Irish–German violinist’s introduction to the composer’s work – as well as the perfect opening to meet the composer himself
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Focus
Hideko Udagawa: Life Lessons
Like her teacher Nathan Milstein, the Japanese–British violinist argues that technique isn’t everything
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April 2021: Welcome
The Strad’s editor Charlotte Smith introduces the April 2021 issue
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Soundpost: Letters to the Editor April 2021
A selection of letters The Strad receives each month from its readers around the world: April 2021 issue
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Analysis April 2021: Crossing the streams
Live streaming has become one of the main – and in some cases the only – outlet for musicians to perform during the pandemic. But how viable is it as a profit-making enterprise? By Peter Somerford
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Article
Products April 2021: Dominant Pro violin strings
A familiar favourite gets a high-tech update
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Debate
Opinion: Follow the science
A teacher can never rest on their laurels with a pupil – it’s important to keep observing how things are going and ask questions, says Naomi Yandell
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Trade Secrets: Reinforcing a cello bridge
A method of inserting carbon-fibre rods to ensure the bridge retains its shape
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Making Matters: The height of perfection
Double bass repairers know the value of raising the saddle to help the instrument’s sound open up – but how much do you raise it by? Felix Habel reveals the formula that can give an exact measurement every time
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Feature
Sentimental Work: Amit Peled
Bloch’s Prayer was the Israeli–American cellist’s entry to understanding Jewish music – and in fact provides a perfect example of ‘the Jewish sonata form’
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Debate
Opinion: Touching a nerve
Although nervous energy can lead to inspired playing, it can also result in performance anxiety – unless we find ways to control it, writes cellist Laura van der Heijden
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Focus
Johan Dalene: Life Lessons
Two years on from winning the Carl Nielsen International Competition, the 20-year-old Swedish violinist is staying close to his roots
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March 2021: Welcome
The Strad’s editor Charlotte Smith introduces the March 2021 issue