- News
- For Subscribers
- Education Hub
- Podcast
- Playing Hub
- Lutherie
- Magazine
- Magazine archive
- Whether you're a player, maker, teacher or enthusiast, you'll find ideas and inspiration from leading artists, teachers and luthiers in our archive which features every issue published since January 2010 - available exclusively to subscribers. View the archive.
- Jobs
- Shop
- Directory
- Contact us
- Subscribe
- Reviews
- Debate
- Artists
- Accessories
Effortless Beethoven from Maxim Vengerov
A performance of Beethoven’s Violin Concerto from the 2011 Henryk Wieniawski Violin Competition, of which Vengerov was jury chairman
Latest video
Related articles
Video18-year-old Maxim Vengerov plays Tchaikovsky
A fresh-faced Friday flashback video to take you into the weekend
- Focus
‘It’s always a reward to be on stage’ - Maxim Vengerov on 40 years of performance
Ahead of a celebration concert with the Oxford Philharmonic Orchestra, the violinist reflects on his impressive career in the spotlight as a child, including the pressures, rewards and lessons learnt from a lifetime of performance
- Video
Maxim Vengerov plays Beethoven Violin Concerto
A throwback to 2006 with this performance under the baton of Mariss Jansons and the Bavarian Radio Symphony
More Featured Stories
- Video
Zara Nelsova and Leonard Bernstein perform Bloch’s Schelomo
In this film from 1962, Leonard Bernstein conducts cellist Zara Nelsova and the New York Philharmonic in a performance of Ernest Bloch’s Schelomo. Nelsova had a close relationship with the composer, who dedicated his three unaccompanied Cello Suites to her. Video: Zara Nelsova and Leonard Bernstein perform ...
- Focus
10 essential pieces for string orchestra
As Endellion Quartet violinist Andrew Watkinson prepares to lead the Guildhall String Ensemble, he tells us his favourite works for strings – and we put them in a convenient playlist. From 2019
- Focus
How do you prepare for a concerto competition?
Performing as a soloist with an orchestra can be a nerve-wracking experience, particularly for competition finalists who have very little rehearsal time. Pauline Harding talks to jury members, conductors and soloists about how to prepare
No comments yet