Christian Lloyd
Christian is the former editor of both International Arts Manager magazine and the Performing Arts Yearbooks. He takes care of the In Focus, Trade Secrets, My Space, Making Matters and Sentimental Work sections of The Strad, as well as all feature articles relating to instruments and lutherie, the book reviews and the news pages.
Contact info
- Tel:
- +44(0)20 7618 3066
- Email:
- christian.lloyd@thestrad.com
Premium ❘ FeatureMy Space: Giancarlo Arcieri
The Miami-based luthier was based in New York until three years ago
- Premium ❘ Focus
Sentimental Work: Jeffrey Solow
Brahms’s First Symphony was the piece that inspired the American cellist to dedicate his career to music, and prompts a reminiscence of his teacher Piatigorsky
- Focus
Sentimental Work: Tim Kliphuis
Richard Strauss’s song Morgen! proved to be the Dutch violinist’s route into cross-genre performance – and one of the most popular pieces performed by his trio
- Premium ❘ Feature
My Space: Yuji Kaneko
The luthier returned to Japan from Italy two years ago to establish a workshop in his home town
- Focus
Sentimental Work: Matt Haimovitz
For the cellist, Ligeti’s Sonata for Solo Cello was the doorway into the complex world of modern and non-classical music – with a little help from the composer himself
- Article
Sentimental Work: Viktoria Mullova
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
- Feature
Sentimental Work: François Rabbath
Performing Bach’s Cello Suites on the double bass was unheard of when the 90-year-old bassist was starting out – but now they’re almost considered standard repertoire
- Feature
Sentimental Work: Daniel Hope
Schnittke’s First Violin Sonata was the Irish–German violinist’s introduction to the composer’s work – as well as the perfect opening to meet the composer himself
- Feature
Sentimental Work: Camille Thomas
The Franco-Belgian cellist gave an impassioned premiere performance of Fazil Say’s cello concerto ‘Never Give Up’ in 2018, and has now recorded the piece for Deutsche Grammophon
- Feature
Sentimental Work: Narek Hakhnazaryan
For the Armenian cellist, Tchaikovsky’s Rococo Variations allows for incredible freedom of expression – and even has the ability to heal
- Feature
Sentimental Work: Ray Chen
The Preludio and Gavotte en Rondeau from Bach’s Violin Partita no.3 were the violinist’s key to the Sonatas and Partitas – and provide meaning in the depths of the Covid-19 pandemic
- Feature
Sentimental Work: Amanda Forsyth
For the Canadian cellist, Richard Strauss’s Don Quixote is a rollercoaster ride through all the composer’s Romantic works, as well as a huge physical challenge
- Feature
Sentimental Work: Vadim Repin
Despite a shaky beginning, Prokofiev’s Violin Concerto no.2 has become one of the most beloved pieces in the Russian violinist’s repertoire
- Feature
Sentimental Work: Roby Lakatos
‘The devil’s fiddler’ explains why Monti ’s Csárdás has been a mainstay of his repertoire since the earliest days – and why it still brings out the creativity in him and his collaborators
- Feature
Sentimental Work: Steven Isserlis
Beethoven’s Cello Sonata no.4 was the gateway the British cellist needed to understand the myriad delights and complexities of the composer’s work
- Feature
Sentimental Work: Maxim Vengerov
The First Violin Concerto by Shostakovich brings back memories of the Russian violinist’s first meeting with Mstislav Rostropovich – an encounter that blossomed into firm friendship
- Feature
Sentimental Work: Anne-Sophie Mutter on Penderecki’s Metamorphosen
Interviewed for The Strad August 2018, Anne-Sophie Mutter discusses Penderecki’s Second Violin Concerto, a work that harbours undiscovered secrets
