All Featured Stories articles – Page 126
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Premium ❘ FeatureViolinist David Juritz on overcoming a painful shoulder injury
The London-based instrumentalist was helped by physiotherapy and Pilates
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VideoWith Nicky: Practice and Prepare Introduction
Nicola Benedetti offers tips on how to organise your time, how to stay concentrated and what to do with the time you have
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Focus5 tips for viola teachers by Juilliard School professor Michael Tree
How can viola teachers help their students develop into good players? The former Guarneri Quartet violist outlines the most important areas to focus on
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FeatureSentimental Work: Alisa Weilerstein on Mozart’s Don Giovanni
The climactic scene between Don Giovanni and the Commendatore was the American cellist’s bedtime listening for years – and has stayed with her for even longer
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FeatureLife Lessons: Anthony Marwood
The British violinist on the changing landscape of string playing and what modern instruments can offer top players
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FeatureMarathon in the Mountains: Postcard from Banff
At the 13th Banff International String Quartet Competition ten young ensembles, their members all under 35 years of age, rose to the challenge of performing a vast amount of wide-ranging repertoire, reports Laurinel Owen
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Premium ❘ FeatureMasterclass: Nils Mönkemeyer on Stamitz First Viola Concerto
The German violist looks at how to tackle the challenges in the first movement of this important audition piece with style, panache and calm
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Premium ❘ FeatureFrom the Archive: November 1929
Marie Hall, seen here with her 1709 Stradivari, speaks exclusively to The Strad following a successful tour of South Africa
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FeatureBehind the scenes at the music and wine festival
Burgundy’s Musique & Vin festival has quickly grown from its humble origins to encompass a rich diversity of elements, not least first-rate performances from international artists and an instrument loan scheme for young musicians. Charlotte Gardner spoke to those involved in this unique project
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FeatureAsk the Experts: should players separate technique and musicality in practice?
A violinist asks if players should separate technique and musicality when preparing a piece for a performance, and if there is a strategy that can help combat performance nerves
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FeatureShould all viola players practise the violin?
It's the ultimate heresy for some violists: the idea of practising the violin as well as the viola. James Boyd, tongue somewhat in cheek, insists that violists can and should practise both
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Blogs7 tips for securing an agent
Inside knowledge of how the process works from Iarlaith Carter, associate director of HarrisonParrott
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Premium ❘ FeatureAsk the Experts: choosing a new violin tailpiece
A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape
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FeatureThe birth of Elgar’s Cello Concerto
To mark the centenary of the completion and premiere of Elgar’s Cello Concerto, cellist Raphael Wallfisch reflects upon the period and circumstances surrounding the work’s creation and subsequent life
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FeatureRichard Tognetti: Life Lessons
The Australian violinist on Crowded House, ‘classical’ music and the importance of the Antipodean perspective
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Premium ❘ FeatureTurning Over a New Leaf
Since her professional debut almost 30 years ago, Sarah Chang has maintained a glittering solo performing and recording career. But, as she tells Charlotte Smith, her more recent desire to take on ‘passion projects’ has led to fulfilling chamber and contemporary collaborations
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Premium ❘ FeatureBright Young Things
The New York String Orchestra Seminar, one of America’s first orchestral training programmes for young musicians, celebrated its 50th anniversary in December 2018. Bruce Hodges attended rehearsals and concerts of the landmark season, and looks ahead to the ensemble’s December 2019 edition
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Premium ❘ FeatureDefining a Nation
For many classical enthusiasts Brazilian music can be summed up in the folk-inspired compositions of Villa-Lobos. Naxos’s multivolume series The Music of Brazil is set to broaden awareness, beginning with several 19th- and 20th-century composers whose string and orchestral works at once mirrored and defied their country’s colonial history, writes ...
