Charlotte Gardner
ReviewAquarelles. Noga Quartet: Hahn, Debussy
Hahn’s rarely heard Second Quartet finds eloquent new champions
ArticleCellist Alisa Weilerstein on working with conductors
The American musician discusses performing concertos with conductors and how she navigates interpretative disagreements
ReviewConcert review: Royal Over-Seas League Annual Music Competition: Strings Section Final
Charlotte Gardner gives her thoughts on the event held at Over-Seas House, London, on 25 February 2020
ReviewConcert review: Leonidas Kavakos (violin) Philharmonia Orchestra/John Wilson
Charlotte Gardner hears the pereformance at London’s Royal Festival Hall on 27 February 2020
Review12 Ensemble: Death and the Maiden
A superb follow-up album that is chock full of musical highlights
ReviewConcert review: Attacca Quartet, Caroline Shaw (voice)
Charlotte Gardner reports on the Kings Place, London, recital on 20 November 2019
ReviewTessa Lark, Amy Yang: Fantasy
A violinist to watch – this Lark is most definitely on the ascent
ReviewConcert review: Musicians of the Zermatt Music Festival Academy
Charlotte Gardner hits Switzerland to hear the young players perform on 11 September 2019
ReviewYardani Torres Maiani: Asteria: The Starlit Night
Flamenco, Baroque, jazz and world music add up to a winning combination
ReviewMaria Milstein, Nathalia Milstein: Voyageur
The Milstein sisters take us on a journey of French repertoire and song transcriptions
ReviewNatalia Lomeiko, Yuri Zhislin, Ivan Martin: Brahms and Schubert
Re-scorings of wind to strings hit the mark in this trio of trios
DebateWhat French television's classical talent show 'Prodiges' can teach us about elitism
The programme, a classical equivalent of The X Factor, has proven to be hugely popular. Does it matter that the young contestants are not exactly prodigies?
