All Technical articles
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Premium ❘ FeatureIn Focus: A 1776 mute violin by Nicolò Gagliano
Nazrin Rashidova and Peter Beare take a look at the unique instrument
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Premium ❘ FeatureTrade Secrets: An innovative varnish recipe
Johannes Jacobs presents a method for making and applying both the ground coat and an emulsion varnish
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Premium ❘ FeatureIn Focus: A 1757 violin by Joan Guillamí I
Jordi Pinto examines the mid 18th-century instrument
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Premium ❘ FeatureIn Focus: A 1718 violin by Francesco Gobetti
Michel Samson on the Italian maker’s late-period instrument
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Premium ❘ FeatureMysteries of the soul: soundpost acoustics
Often called the violin’s ‘soul’, the soundpost is possibly the least understood part of the instrument. Joseph Curtin details a series of experiments that shed light on the acoustic role of this tiny piece of wood
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Premium ❘ FeatureTrade Secrets: Making cochineal-coloured lakes
A guide to creating a rich, warm red pigment for varnish preparation
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Premium ❘ FeatureTrade Secrets: Camouflaging a patch using a veneer
An innovative and intricate method for a taxing problem in restoration
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Premium ❘ FeatureIn Focus: A 1925 violin by Carlo Carletti
Leonardo Cella examines the early 20th-century instrument
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Premium ❘ FeatureTrade Secrets: Final scroll refinement
Some notes on finishing off one of the trickiest parts of the making process
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Premium ❘ FeatureMaking Matters: How to make a lighter viola
For some violists, playing on a lighter instrument is their holy grail. Laurent Zakowsky describes his methods to accomplish this, from thinning the back to changing the chinrest
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Premium ❘ FeatureIn a spirit of collaboration: Brandenburg experiments
Makers at the annual Brandenburg violin making workshop joined forces on a two-year project to build and test two identical violins, one of which was made with treated wood. The results were intriguing. Adam Winskill reports on the methodology and findings
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Premium ❘ FeatureTrade Secrets: Even split, even grain
A simple method for joining plates with even grain orientation
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Premium ❘ FeatureIn Focus: A c.1880–90 viola by Enrico Marchetti
Sean Bishop examines the late-nineteenth-century instrument
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Premium ❘ FeatureIn Focus: An 1822 violin by Georges Chanot I
Jonathan Marolle examines the French maker’s early instrument
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Premium ❘ FeatureTrade Secrets: Making a paper template for a scroll
A procedure that allows for accurate reproduction as well as being a stimulant to creativity
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Premium ❘ FeatureBending the rules: arching constructions
How can luthiers create an instrument’s arching from scratch? Sebastian Gonzalez presents a possible solution to an age-old dilemma, using simple formulas and the latest technology
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Premium ❘ FeatureTrade Secrets: Extending the reach of metal F-clamps
Making wooden jaws for a lighter, safer long-reach clamping alternative
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Premium ❘ FeatureTrade Secrets: Cutting the f-holes
The traditional method adopted by the luthiers of the old Mirecourt school
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Premium ❘ FeatureIn Focus: A c.1690 violin by Giovanni Maria del Bussetto
Aidan Mullerkin examines the elusive maker’s instrument
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Premium ❘ FeatureForms follow function: early Stradivari violin patterns
Unlike his contemporaries, Antonio Stradivari was trying out different violin patterns from the start of his career as a luthier. Philip Ihle examines a number of his early violins to discover how his art evolved
