Concert review: Pacifica Quartet

I was immediately arrested by the quality of the Pacifica Quartet’s ensemble sound when it made its debut at the Brevard Music Center this month, and its well-matched articulation and bow speeds made for an effective performance of Barber’s B minor String Quartet.

The group’s approach to the infamous Molto adagio was not one of ethereal delicacy, but rather human warmth, and the movement had an almost vocal quality that was very affecting.

Bartók’s String Quartet no.4 followed, and was performed with vivacity and great character, although I would have liked to hear more textural definition and clarity (perhaps it was just the hall?). The Prestissimo had plenty of excitement and a brilliant solo viola moment, while the third movement boasted some splendid cello solos.

The notorious pizzicato fourth movement was a highlight, executed with wonderful character and clarity, followed by a vivacious Allegro molto with a welcome brightness of character that felt almost uplifting – a refreshing change from usual interpretations.

Beethoven’s op.130 Quartet was a standout, the ensemble’s deep understanding of the score evident throughout, with the second-movement Presto boasting impressive control. The slower movements had a human quality, with the Cavatina thoughtful and poignant.

The ensemble chose to perform the quartet as originally written, with the Grosse Fuge as the final movement. After an exacting programme, the Pacifica performed this intensely difficult and dense with remarkable finesse and brilliance.

LEAH HOLLINGSWORTH