Tim Homfray
Tim Homfray is a regular contributor to The Strad.
ReviewFestival Review: Beijing Music Festival 2020
Tim Homfray views a plethora of sonata performances on the BMF live streaming platform (12-14 October 2020)
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Christoph Koncz: Mozart’s Violin
Mozart concertos, intriguingly played on the composer’s own instrument
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Daniel Hope: Hope@Home
One of the most delightful ‘socially distanced’ albums you’ll hear this year
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Jennifer Pike: Elgar, Vaughan Williams
Rare and well-known repertoire with a twist combine in an irresistible release
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Concert review: Wigmore Hall, 8-24 June 2020
Tim Homfray reviews performances held at the London venue for an online-only audience
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Arabella Steinbacher: Four Seasons
A popular seasonal pairing full of requisite energy and drama
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Alisa Weilerstein: Bach
A standout, meditative and individual approach to the cellists’ cornerstone
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Tetzlaff Quartet: Beethoven
Dynamic and vivid readings of Beethoven quartets prove irresistible
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Live-streamed concert review: Eldbjørg Hemsing (violin) Sveinung Bjelland (piano)
Tim Homfray watches a Facebook performance on 19 March from the comfort of his own armchair
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Pierre Fouchenneret, Shuichi Okada: Merlin, Schubert
A Schubert-inspired octet plus a delightful performance of the original
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Concert review: Paul Laraia (viola)
The winner of last year’s Lionel Tertis competition made his Wigmore Hall debut on 10 February, with pianist Robert Markham
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Concert review: Daniel Müller-Schott (cello) Annika Treutler (piano)
Tim Homfray reviews the cellist’s concert with pianist Annika Treutler at London’s Wigmore Hall on 17 February 2020
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Jack Liebeck: Schoenberg, Brahms
Exuberance, focus and ravishing tone in two highly contrasting concertos
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Brodsky Quartet: Beethoven
A masterpiece of quartet playing in a masterpiece of quartet writing
