Tim Homfray
Tim Homfray is a regular contributor to The Strad.
- Review
Concert review: Leonidas Kavakos (violin) London Symphony Orchestra/Simon Rattle
Tim Homfray hears a live-streamed performance from London’s LSO St Luke’s on 7 January 2021
- Review
Concert review: Wigmore Soloists
Tim Homfray watches a live stream from London’s Wigmore Hall on 8 January 2021
- Review
Gidon Kremer, Madara Pētersone: Weinberg
Expert interpreter captures all the music’s complex, shadowy atmosphere
- Review
Aisslinn Nosky, Max Mandel: Mozart
Nimble and airy live performances of chamber-music scale are a joy to hear
- Review
Dante, Endellion Quartets: Stanford
Hybrid ensemble presents some rare gems and a debut recording
- Review
Ensemble Diderot: The Berlin Album
Flair and flamboyance characterise a musical collection from the German city
- Review
Concert review: Jack Liebeck (violin) Katya Apekisheva (piano)
Tim Homfray hears a live-streamed performance from London’s Wigmore Hall on 14 December 2020
- Review
Concert review: Elias Quartet, Robert Plane (Clarinet)
Tim Homfray reviews what he heard on 23 November 2020 from London’s Wigmore Hall
- Review
Jennifer Koh: Bach & Beyond – Part 3
Eloquent, artful, yet unadorned playing in the third of Koh’s series
- Review
Festival Review: Beijing Music Festival 2020
Tim Homfray views a plethora of sonata performances on the BMF live streaming platform (12-14 October 2020)
- Review
Christoph Koncz: Mozart’s Violin
Mozart concertos, intriguingly played on the composer’s own instrument
- Review
Daniel Hope: Hope@Home
One of the most delightful ‘socially distanced’ albums you’ll hear this year
- Review
Jennifer Pike: Elgar, Vaughan Williams
Rare and well-known repertoire with a twist combine in an irresistible release
- Review
Concert review: Wigmore Hall, 8-24 June 2020
Tim Homfray reviews performances held at the London venue for an online-only audience
- Review
Arabella Steinbacher: Four Seasons
A popular seasonal pairing full of requisite energy and drama
- Review
Alisa Weilerstein: Bach
A standout, meditative and individual approach to the cellists’ cornerstone