Tim Homfray
Tim Homfray is a regular contributor to The Strad.
- Review
Festival Review: Beijing Music Festival 2020
Tim Homfray views a plethora of sonata performances on the BMF live streaming platform (12-14 October 2020)
- Review
Christoph Koncz: Mozart’s Violin
Mozart concertos, intriguingly played on the composer’s own instrument
- Review
Daniel Hope: Hope@Home
One of the most delightful ‘socially distanced’ albums you’ll hear this year
- Review
Jennifer Pike: Elgar, Vaughan Williams
Rare and well-known repertoire with a twist combine in an irresistible release
- Review
Concert review: Wigmore Hall, 8-24 June 2020
Tim Homfray reviews performances held at the London venue for an online-only audience
- Review
Arabella Steinbacher: Four Seasons
A popular seasonal pairing full of requisite energy and drama
- Review
Alisa Weilerstein: Bach
A standout, meditative and individual approach to the cellists’ cornerstone
- Review
Tetzlaff Quartet: Beethoven
Dynamic and vivid readings of Beethoven quartets prove irresistible
- Review
Live-streamed concert review: Eldbjørg Hemsing (violin) Sveinung Bjelland (piano)
Tim Homfray watches a Facebook performance on 19 March from the comfort of his own armchair
- Review
Pierre Fouchenneret, Shuichi Okada: Merlin, Schubert
A Schubert-inspired octet plus a delightful performance of the original
- Review
Concert review: Paul Laraia (viola)
The winner of last year’s Lionel Tertis competition made his Wigmore Hall debut on 10 February, with pianist Robert Markham
- Review
Concert review: Daniel Müller-Schott (cello) Annika Treutler (piano)
Tim Homfray reviews the cellist’s concert with pianist Annika Treutler at London’s Wigmore Hall on 17 February 2020
- Review
Jack Liebeck: Schoenberg, Brahms
Exuberance, focus and ravishing tone in two highly contrasting concertos
- Review
Brodsky Quartet: Beethoven
A masterpiece of quartet playing in a masterpiece of quartet writing