All Bartók articles
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ReviewConcert review: Hilary Hahn (violin) New York Philharmonic/Jakub Hrůša
Leah Hollingsworth travels to New York’s David Geffen Hall on 12 January 2024 for the performance of Coleridge-Taylor, Bach and Bartók
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ReviewConcert review: Castalian Quartet
Tim Homfray hears the performance of Janáček, Turnage and Bartók at London’s Wigmore Hall on 16 January 2024
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ReviewThe Strad Recommends: Frank Peter Zimmermann: Bartók, Martinů, Stravinsky
Potent characterisation sets this album apart from the competition
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ReviewConcert review: Patricia Kopatchinskaja (violin) Reto Bieri (clarinet) Polina Leschenko (piano)
Edward Bhesania hears the performance of Enescu, Poulenc, Bartok, Milhaud, Schoenfeld and Kopatchinskaja herself, at London’s Queen Elizabeth Hall on 24 September 2023
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ReviewConcert review: Thirteen North
David Kettle hears the performance from St Luke’s,. Glasgow, on 29 June 2023, featuring works by Bartók, Pippa Murphy and Pàdruig Morrison
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ReviewConcert review: Lawrence Power (viola/violin) Simon Crawford-Phillips (piano)
Edward Bhesania hears the performance of Rebecca Clarke, Palestrina, Tallis, Vaughan Williams, Bridge, Ravel, Martinů and Bartók at London’s Wigmore Hall on 31 May 2023
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ReviewConcert review: Geneva Lewis (violin) Evren Ozel (piano)
Bruce Hodges reports on the performance of Fazil Say, Beethoven, Lilburn and Bartók at the American Philosophical Society, Philadelphia, PA, on 4 May 2023
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ReviewConcert review: Pavel Haas Quartet, Boris Giltburg (piano)
Tim Homfray hears the performance of Martinů, Bartók and Dvořák at London’s Wigmore Hall on 1 February 2023
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ReviewConcert review: Aizuri Quartet
Aizuri Quartet Perelman Theater, Kimmel Center 12 February 2023 A Clara Schumann song, ‘Ich stand in dunkeln Träumen’ (I Stood Darkly Dreaming), arranged by Karen Ouzounian – cellist of the Aizuri Quartet – began this programme exploring the subject of darkness to sunrise. And, with ...
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ReviewRuth Killius, Thomas Zehetmair: Casken, Bartók, Beethoven
Intensity aplenty from a husband-and-wife team
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ReviewConcert review: Takács Quartet
Tim Homfray attends the performance of Britten, Bartók and Dvořák at London’s Wigmore Hall on 16 November 2022
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ReviewPatricia Kopatchinskaja: Bartók, Brahms, Janáček
Two musical mavericks breathe fresh life into much-loved sonatas
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ReviewCharlotte Saluste-Bridoux: Ostinata: Works for Solo Violin
An impressively assured recording debut from a violinist to watch
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ReviewConcert review: Roman Simovic (violin) London Symphony Orchestra/Kirill Karabits
Edward Bhesania hears the performance at London’s Barbican Hall on 9 December 2021
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ReviewRagazze Quartet: Bartók Bound Vol.2
Unerring instincts pay dividends in the continuation of a Dutch Bartók cycle
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ReviewHanson Quartet: Not All Cats Are Grey
Vivid 20th-century quartets played with full-blooded passion
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ReviewSolem Quartet: The Four Quarters
Striking concept album with committed playing but a bewildering mix of styles