All Bartók articles
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Review
Concert review: Choong-Jin Chang (viola) Philadelphia Orchestra/Roderick Cox
Bruce Hodges watches the performance of Martinů, Bartók and Saint-Saëns at Philadelphia’s Marian Anderson Hall on 11 October 2024
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Review
Concert review: New York Philharmonic Ensembles
Leah Hollingsworth visits New York’s Merkin Concert Hall for the peformance of on 29 September 2024
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Review
Zoltán Székely: Bartók, Glazunov
A revered Hungarian violinist celebrated as soloist and chamber musician
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Review
Concert review: Chee-Yun (violin) Mak Grgić (guitar)
Bruce Hodges hears the performance of Bartók, Dvořák and Kreisler at Philadelphia’s Perelman Theater on 10 May 2024
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Review
Concert review: Engegård Quartet
Peter Quantrill attends the performance of Mozart, Bartók, Maja Ratkje and Fanny Mendelssohn at London’s Conway Hall on 21 April 2024
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Review
Concert review: Ébène Quartet
Bruce Hodges attends the performance of Schubert, Haydn and Bartók at the Perelman Theater, Philadelphia, on 6 April 2024
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Blogs
Exploring Bartók’s Viola Concerto: Yuri Zhislin
What makes this concerto unique and challenging? Violist/violinist Yuri Zhislin delves into the simple, yet sophisticated musical language of the composer, ahead of an album release of Bartók’s works on 24 May
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Review
Concert review: Hilary Hahn (violin) New York Philharmonic/Jakub Hrůša
Leah Hollingsworth travels to New York’s David Geffen Hall on 12 January 2024 for the performance of Coleridge-Taylor, Bach and Bartók
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Review
Concert review: Castalian Quartet
Tim Homfray hears the performance of Janáček, Turnage and Bartók at London’s Wigmore Hall on 16 January 2024
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Review
The Strad Recommends: Frank Peter Zimmermann: Bartók, Martinů, Stravinsky
Potent characterisation sets this album apart from the competition
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Review
Concert review: Patricia Kopatchinskaja (violin) Reto Bieri (clarinet) Polina Leschenko (piano)
Edward Bhesania hears the performance of Enescu, Poulenc, Bartok, Milhaud, Schoenfeld and Kopatchinskaja herself, at London’s Queen Elizabeth Hall on 24 September 2023
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Review
Concert review: Thirteen North
David Kettle hears the performance from St Luke’s,. Glasgow, on 29 June 2023, featuring works by Bartók, Pippa Murphy and Pàdruig Morrison
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Review
Concert review: Lawrence Power (viola/violin) Simon Crawford-Phillips (piano)
Edward Bhesania hears the performance of Rebecca Clarke, Palestrina, Tallis, Vaughan Williams, Bridge, Ravel, Martinů and Bartók at London’s Wigmore Hall on 31 May 2023
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Review
Concert review: Geneva Lewis (violin) Evren Ozel (piano)
Bruce Hodges reports on the performance of Fazil Say, Beethoven, Lilburn and Bartók at the American Philosophical Society, Philadelphia, PA, on 4 May 2023
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Review
Concert review: Pavel Haas Quartet, Boris Giltburg (piano)
Tim Homfray hears the performance of Martinů, Bartók and Dvořák at London’s Wigmore Hall on 1 February 2023
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Review
Concert review: Aizuri Quartet
Aizuri Quartet Perelman Theater, Kimmel Center 12 February 2023 A Clara Schumann song, ‘Ich stand in dunkeln Träumen’ (I Stood Darkly Dreaming), arranged by Karen Ouzounian – cellist of the Aizuri Quartet – began this programme exploring the subject of darkness to sunrise. And, with ...
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Review
Ruth Killius, Thomas Zehetmair: Casken, Bartók, Beethoven
Intensity aplenty from a husband-and-wife team
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Review
Concert review: Takács Quartet
Tim Homfray attends the performance of Britten, Bartók and Dvořák at London’s Wigmore Hall on 16 November 2022