All Regulars articles – Page 8
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Premium ❘ FeatureTrade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
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Premium ❘ FeatureMaking Matters: Optimising sound spaces for good acoustics
Any luthier’s workshop requires a room or area with good acoustics to assess an instrument’s sound quality. Gideon Baumblatt and Simon Eberl explain how they optimised their sound spaces
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Premium ❘ FeatureMasterclass: Mendelssohn String Quartet in F minor, first movement
Second violinist of the Aris Quartet Noémi Zipperling examines Mendelssohn’s emotionally charged movement, considered to be a requiem for his sister and, ultimately, himself
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Premium ❘ FeatureIn Focus: An 1845 violin by Johann Georg Stauffer
Jakob Nachbargauer and Adrian Elschek examine a mid-century violin by the successful Austrian guitar maker
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Premium ❘ Focus‘Get to the core of why you want to share music’ - Daniel Müller-Schott’s life lessons
The German cellist reminisces on his soloistic journey and finding purpose
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Premium ❘ FocusOpinion: What makes a good stand partner?
It takes much more than turning up on time and playing the right notes to be a reliable stand partner, says violinist Alexandra Gorski. There are many essential rules to be followed
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Premium ❘ ArticleAnalysis September 2024: Teaching folk fiddling
Since folk fiddling is a very different discipline from playing classical music, how do teaching strategies need to change to accommodate the differences?
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Premium ❘ FeatureMasterclass: Debussy Cello Sonata, second and third movements
Cellist Thomas Demenga reflects on the importance of restraint next to the extremes of expressive detail to be brought out in this masterpiece
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Premium ❘ ArticleProducts September 2024: Schilbach Thermometer Hygrometer
A device to measure both temperature and humidity in your instrument case
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Premium ❘ ArticleProducts September 2024: Kentucky Small Batch Strings rosins
Two new rosins have been added to the Kentucky-based maker’s range
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Premium ❘ Article‘I have been obliged to deprive myself of the copy of my violin’ - Letters to the editor: September 2024
A selection of letters The Strad receives each month from its readers around the world: September 2024 issue
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Premium ❘ ArticleSeptember 2024: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the September 2024 issue
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Premium ❘ ArticleProducts September 2024: Black Ibis carbon fibre bow
A new carbon fibre bow like no other
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Premium ❘ FocusPostcard from Brussels: 2024 Queen Elisabeth Competition
The 2024 Queen Elisabeth Competition confirmed that the standards and the stakes are higher than ever. Melissa Lesnie reports from one of the most influential string events on the international circuit
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Premium ❘ FocusSentimental Work: Simone Lamsma on Britten’s Violin Concerto
The Dutch violinist feels a rapport with the sound world of Britten’s Violin Concerto, a piece that’s accompanied her since her success in the eponymous competition
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Premium ❘ FeatureIn Focus: A 1796 viola by Sebastian Dalinger
Rainer Michael Cocron examines the Austrian maker’s late 18th-century instrument
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Premium ❘ FeatureMasterclass: Antonio Meneses on Franck Violin Sonata (Cello Version)
Preserving energy, planning ahead and prioritising phrasing in every line are key to cellist Antonio Meneses’s interpretation of the fourth movement
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Premium ❘ FeatureMy Space: Peter & Rory Boardman’s Donaghadee workshop
The father and son duo present their Northern Ireland workshop
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Premium ❘ FocusOpinion: Avoid overloading students with information
Double bassist Alex Ferkey believes that young string players are often derailed by information overload, and should trust more in unconscious processes when trying to perfect their technique
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Premium ❘ FeatureMaking Matters: the story and influence of bow maker Joseph Arthur Vigneron
Marking the 100th anniversary of André Vigneron’s death, Hamilton Caswell considers the influence he and his father Joseph Arthur have had on the generations of bow makers that followed, particularly on bass bows
