Playing – Page 24
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Premium ❘ FeatureFrom the Archive: December 1909
The pseudonymous ‘L.H.W.’ gives his thoughts on teaching, in an article he might himself call ‘profuse and extravagant in expression’
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Premium ❘ FeatureLights, Camera, Action
As the founder of Music in Vision, Kathleen Ross has built a business from supplying professional musicians for on-camera roles. Introducing instrumentalists to the world of film and TV can be challenging, but, she writes, ensuring that musicians in background parts are convincingly portrayed is well worth the effort
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Premium ❘ FeatureA Treasury of Sound
The Royal Danish Orchestra has been adding to its collection of fine stringed instruments for centuries – but there is revolution as well as evolution behind its distinctive string sound, which is unmistakable whatever the repertoire and whoever the conductor, finds Andrew Mellor
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Premium ❘ FeatureInto the Light
Why it took nearly a century for an important, beautiful concert piece for cello and piano from a 20th-century female composer to be published is incomprehensible. We can certainly blame contemporaneous sexist attitudes towards women, but was there also something more personal here?
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Premium ❘ FeatureA Conductor’s Tale
Music director Manfred Honeck has brought a distinctly European flavour to the Pittsburgh Symphony. Gavin Dixon spoke to him at his summer festival in Wolfegg, Germany, as he prepared to embark on a tour of Europe with his Pittsburgh forces – and discovered how his time as a violist in ...
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Premium ❘ FeatureIs repetitive practice a good or a bad thing?
A prolonged, sickening and monotonous repetition of a section of music or the legitimate means of mastering a difficult passage? Joseph O'Doherty weighs up the two sides.
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Premium ❘ FeatureViolinist David Juritz on overcoming a painful shoulder injury
The London-based instrumentalist was helped by physiotherapy and Pilates
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Premium ❘ FeatureMasterclass: Nils Mönkemeyer on Stamitz First Viola Concerto
The German violist looks at how to tackle the challenges in the first movement of this important audition piece with style, panache and calm
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Premium ❘ FeatureFrom the Archive: November 1929
Marie Hall, seen here with her 1709 Stradivari, speaks exclusively to The Strad following a successful tour of South Africa
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Premium ❘ FeatureAsk the Experts: choosing a new violin tailpiece
A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape
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Premium ❘ FeatureTurning Over a New Leaf
Since her professional debut almost 30 years ago, Sarah Chang has maintained a glittering solo performing and recording career. But, as she tells Charlotte Smith, her more recent desire to take on ‘passion projects’ has led to fulfilling chamber and contemporary collaborations
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Premium ❘ FeatureBright Young Things
The New York String Orchestra Seminar, one of America’s first orchestral training programmes for young musicians, celebrated its 50th anniversary in December 2018. Bruce Hodges attended rehearsals and concerts of the landmark season, and looks ahead to the ensemble’s December 2019 edition
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Premium ❘ FeatureDefining a Nation
For many classical enthusiasts Brazilian music can be summed up in the folk-inspired compositions of Villa-Lobos. Naxos’s multivolume series The Music of Brazil is set to broaden awareness, beginning with several 19th- and 20th-century composers whose string and orchestral works at once mirrored and defied their country’s colonial history, writes ...
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Premium ❘ FeatureFrederick Riddle: modest master of the viola
The great British viola player was undeservedly overshadowed by Lionel Tertis and William Primrose, writes Tully Potter
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Premium ❘ FeaturePerfect 5ths
British violinist Rodney Friend has spent many years formulating his method for achieving a relaxed left-hand position. Here, he shares his voyage of discovery with Charlotte Smith
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Premium ❘ FeatureMasterclass: Daniel Müller-Schott on Franck Violin Sonata (Cello Version)
The German cellist looks at the importance of connection, colour and line in the work’s third movement
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Premium ❘ FeatureFrom the Archive: October 1939
The Strad responds to the declaration of war on 3 September with advice on how cellists can do their bit by programming feel-good standards for troops and civilians
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Premium ❘ FeatureA teacher for all
Kató Havas, the celebrated and much-loved Hungarian violinist and pedagogue, died on 31 December 2018 aged 98. Five former colleagues and students remember her important and generous influence on their own playing and teaching
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Premium ❘ Feature7 things to remember when buying a bow
Bows, for so long seen as mere accessories, are increasingly attracting serious investors, writes Femke Colborne
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Premium ❘ FeatureDouble bassist Peter Buckoke on treating head and neck pain
The Royal College of Music professor found a solution in Alexander technique