Lutherie – Page 11
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Premium ❘ FeatureResplendent harmony: Carlo Bergonzi ‘Salabue, Martzy’ violin 1733
The 1733 ‘Salabue, Martzy’ is one of the finest instruments by Carlo Bergonzi in existence. Jason Price examines the violin and looks at its travels over the past 300 years
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Premium ❘ FeatureTrade Secrets: A workshop facility to measure violin family acoustics
Creating an apparatus for routine quick and easy measurements while making and setting up the violin and related instruments
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Premium ❘ FeatureBridging the decades: Bridges from the archive
Instrument bridges have become pretty much standardised in the modern era, but in days of yore they came under as much scrutiny as strings, mutes and chin rests. These advertisements taken from the first half of The Strad ’s history testify to their designers’ ingenuity
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Premium ❘ FeatureIn Focus: A 1927 violin by Evasio Emilio Guerra
Andrea Schudtz examines the Turin maker’s early 20th-century instrument
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Premium ❘ FeatureMaking Matters: Bridge position of the pochette instrument
One of the most unusual stringed instruments, the pochette can be found on show in many museum collections – but is it being displayed properly? Wim Raymaekers argues that the bridge position needs to be rethought
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Premium ❘ Feature‘He was taking a very large elephant to America’ - From the archive: June 1904
Violinist Archie Easton presents some ‘reminiscences of John Frederick Lott’ (1804–70), including his brief spell as an elephant trainer for a circus
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Premium ❘ ArticleAuction Report June 2024: Like father, like son
An Omobono Stradivari and two Vuillaumes were the standout lots during a varied spring auction season in London, as Kevin MacDonald reports
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Premium ❘ FeatureThe luthier's guide to good customer relationships
As a general rule, luthiers tend to be better at making instruments than making friends. Violin maker Korinthia A. Klein gives some hints and tips on good customer relations – both for the people entering the workshop and for those running it
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NewsPhoto story: Celebrating Women Luthiers exhibit at Potter Violins
Held at Potter Violins from 3 to 11 May 2024, Robyn Sullivan reports back from the event that had discussion, laughter and music making at its heart
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Premium ❘ FeatureTaking acoustic measurements from internal vibrations
Normally, acoustic measurements are taken from outside the instrument – but the internal vibrations can reveal even more. Colin Gough presents a method for listening inside the soundbox and demonstrates what it can tell us about the sound
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Premium ❘ ArticleAnalysis June 2024: Is ipê an alternative for pernambuco?
With pernambuco in danger of being permanently off limits to bow makers, could another Brazilian hardwood – ipê – be the solution?
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Premium ❘ Article‘She typed the name into Google and emitted a cry of astonishment’ - Letters to the editor: June 2024
A selection of letters The Strad receives each month from its readers around the world: June 2024 issue
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Premium ❘ FeatureDecorating a bow frog: let the flowers bloom
A very specialist part of the bow maker’s craft is the addition of decorative inlay into a bow frog. Vladimiros Sorokin-Andreou presents his method for this intricate and delicate part of the process
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Premium ❘ FeatureMy Space: Anthony Morton’s Greensboro workshop
Take a peek into the North Carolina atelier
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Focus8 tips for perfecting your violin varnish
Advice from The Strad Archive on preparing, applying and drying varnish for best results
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FocusAsk the Experts: protecting your instrument in hot and humid temperatures
Four luthiers and restorers advise a musician on how to care for her instrument during the hot summer months. From August 2014
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Premium ❘ FeatureIn Focus: c.1810–20 bow by Christian Wilhelm Knopf
Matthieu Besseling on a bow by the Knopf dynasty’s patriarch
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Premium ❘ FeatureA mystery unveiled: the makers of Ferrara
While scholars have scrutinised the making traditions of various Italian cities, the luthiers of Ferrara have been largely neglected – until now. Florian Leonhard presents the results of recent archival research into Alessandro Mezzadri and the Marconcini family, along with notes on their making styles
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FocusAsk the experts: What should a luthier look for when choosing tonewood?
For a beginner luthier, choosing the perfect spruce and maple for an instrument can be a confusing process. Three experts in wood selection offer some guidelines
