Lutherie – Page 14
-
Premium ❘ Feature
Making copies: Sounds like a match?
If someone makes an exact copy of a Stradivari, will it sound like a Stradivari? Sam Zygmuntowicz attempts to answer the question by making duplicates of the ‘Titian’ and ‘Willemotte’ Strads, as well as the ‘Plowden’ Guarneri ‘del Gesù’
-
Focus
The Strad Calendar 2023: 1760 Nicolò Gagliano violin
‘It is incredible for me to draw out the richness in the lower strings, and the higher registers soar with remarkable clarity’ - Emily Sun
-
Focus
Robert Max on playing the 1726 ‘Saveuse’ Stradivari cello
British cellist Robert Max, who has owned and performed on the ‘Saveuse’ for more than 20 years, gives his thoughts on the instrument’s sound and quality
-
Premium ❘ Feature
1726 ‘Saveuse’ Stradivari cello: Small is beautiful
The 1726 ‘Saveuse’ is one of the smallest cellos Antonio Stradivari ever produced. John Dilworth discovers the unique characteristics of this rare model
-
Premium ❘ Feature
‘Timbre and brilliance are not static, but dynamic’ - Making Matters: Sound ideas
Violinists and brothers Arne and Jens Rossbach share their experiments in sound and timbre
-
Focus
The Strad Calendar 2023: 1720 Guarneri ‘filius Andreae’ violin
’I fell in love with the typical warm Guarneri sound, and after some restoration it also acquired a shine in the treble register’ - Dene Olding
-
Premium ❘ Feature
Trade Secrets: Fitting a bridge to a violin belly
A detailed account of a process that revisits a fundamental skill for luthiers
-
News
Future of pernambuco decided at CITES convention
The Brazilian wood will remain on Appendix II with modified wording, rather than being moved up to Appendix I
-
Premium ❘ Feature
The most important violin in the world? - The 1716 ‘Messiah’ Stradivari violin
Stradivari’s 1716 ‘Messiah’ violin has beguiled with its pristine condition for 300 years, despite having remained mute for most of that time. John Dilworth examines the mystique surrounding this enigmatic instrument that still refuses to give up its secrets
-
Premium ❘ Feature
CT-Scanning the ‘Messiah’ Stradivari violin
In 2016 the ‘Messiah’ Stradivari was the subject of an extensive CT scanning project. Francesco Piasentini and Gregg Alf examine the resulting data, discovering repair work in the neck, and attempt to determine how it had originally been set
-
Blogs
Do instruments made by the same maker have a distinct sound character?
Violin maker Jacob von der Lippe explores this question, via a recording of works performed by various musicians on his instruments
-
Premium ❘ Feature
In Focus: A 1756 baroque cello by Robert Duncan
David Rattray on the Scottish maker’s mid-18th-century baroque cello
-
Focus
The Strad Calendar 2023: c.1610 Maggini viola
This large and beautiful-sounding viola features a one-piece spruce front with unusually wide grain
-
Video
Future of pernambuco under discussion at CITES convention
The two-week conference on endangered species is currently under way in Panama City
-
News
Violin and bow makers honoured at 2022 VSA Violin Making Competition
Almost 30 gold medals went to the violin, viola, cello and double bass makers at the awards dinner on 17 November
-
Premium ❘ Feature
An outstanding piece of work: exploring the 1865 ‘Sheremetev’ Vuillaume cello
The sheer quantity of J.B. Vuillaume’s instruments has led to a certain prejudice against them. But as John Dilworth explains, his finest creations, such as this 1865 ‘Sheremetev’ cello, rank almost as high as those of the Cremonese masters
-
Focus
Raphael Wallfisch on playing the ‘Sheremetev’ Vuillaume cello
‘It’s a very versatile instrument as well as a beautiful thing to look at,’ said the cellist in our June 2013 issue
-
Premium ❘ Feature
‘The great artistry of history’s most important bow maker’ - François Xavier Tourte
Paul Childs compares and contrasts two very late violin bows by François Xavier Tourte
-
Focus
The Strad Calendar 2023: 1859 Vuillaume violin
The violin is a very close copy of a ‘golden period’ Stradivari, possibly the 1715 ‘Alard’,
-
Premium ❘ Feature
‘I do pretty much everything in this one room’ - My Space: Steve Burnett
Take a trip into Steve Burnett’s Edinburgh workshop