All Improve your playing articles – Page 2
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Focus8 tips for second violinists
Views on second violin playing from experienced orchestral and chamber performers
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6 tips for improved coordination
Guidance from The Strad’s archive for greater synchronisation between left-hand fingers and bow
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I know that I know nothing: Tomás Cotik concludes his series on Bach
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist concludes his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them.
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How to make scales enjoyable
Encouraging students to practise scales needn't be an uphill struggle, says Paul Harris - in fact, it can even be fun!
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Article
How I interpret Bach: Tomás Cotik on Classification
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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How important is happiness for effective practising?
Adopting a positive mindset helps to prime you for learning, writes musician and performance psychology expert Christine Carter
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Technique: strum bowing
A guitar technique adapted for violin, to help bowed string players plug into their inner groove. By Tracy Silverman, electric violinist, author of The Strum Bowing Method , string faculty member at Belmont University in Nashville, Tennessee, and jazz clinic and workshop tutor worldwide
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5 ways to improve playing in thirds
Tips for hand position, bow distribution and intonation from The Strad Archive
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Double bassist Christine Hoock on sound and phrase
The professor of double bass at Mozarteum University Salzburg and president of the International Sperger Society for Double Bass shares her wisdom in this month’s Technique article
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5 tips for viola players, by the Singapore Symphony Orchestra's Manchin Zhang
Manchin Zhang shares her wisdom on various aspects of playing the viola, from vibrato to body balance
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How I interpret Bach: Tomás Cotik on Treatises Sources, Numerology and the Doctrine of Affections
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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Premium ❘ Feature
Yoga and string playing: …And breathe…
There is a close connection between yogic principles and string playing technique, says cellist Ruth Phillips, who illustrates this with postures chosen in collaboration with her colleague Jane Fenton, and reveals how both Pablo Casals and yoga guru Vanda Scaravelli have informed her musical ideas
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Video
TwoSetViolin: The Twelve Levels of Violin Playing
The musical double act abandon their usual hijinx in favour of something more serious for newbie violinists: a whistle-stop tour of what their violin-playing career could look like (with a bit of practice).
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How I interpret Bach: Tomás Cotik on Ornaments, Trills and Appoggiaturas
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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How I interpret Bach: Tomas Cotik on Tempo Rubato, Strong and Weak Measures and Notes Inégales
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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Why 10,000 hours of practice won’t make you an expert
Emma Allingham, a music psychology researcher at the University of Hamburg, shares her insight into the psychology of music practice
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8 ways to combat negative thoughts on stage
How to banish your inner demons from The Strad's Archive
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How I interpret Bach: Tomás Cotik on Overdotting and Rhythmic Assimilation
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
