All Gallery articles – Page 6

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    From the Archive: the Stradivarius 'Barjansky' cello, 1684

    10 October 2016

    This illustration of the Barjansky Stradivarius cello was published in The Strad, August 1983. The following text is extracted from the article accompanying the photographs:Sotheby's auction on 23 June was another of their marathon events, divided into two sessions, and there were some sensational prices among the important ...

  • 30_9_16
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    From the Archive: a Stradivarius violin from the 1695 period

    3 October 2016

    This illustration of a violin by Antonio Stradivari was published in The Strad, April 1983. The following text is extracted from the article accompanying the photographs:This violin, which is not recorded in any of the books listing Stradivari's works, belongs to the 1695 era, the so-called long Strad ...

  • 23_9_161
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    From the Archive: a violin by J.B. Salomon, 1750

    26 September 2016

    This illustration of a violin by Jean Baptiste-Deshayes Salomon was published in The Strad, April 1983. The following text is extracted from the article accompanying the photographs:The work of Jean Baptiste-Deshayes Salomon is definitely Italianate and appears to have been influenced by the peculiarities of the mid-18th-century Roman ...

  • 16_9_16
    Gallery

    From the Archive: Antonius and Hieronymus Amati 'Henry IV' violin, Cremona, 1595

    19 September 2016

    This illustration of a violin by Antonius and Hieronymus Amati was published in The Strad, April 1983. The following text is extracted from the article accompanying the photographs:Decorated violins are as old as the instrument itself. Andrea Amati of Cremona, credited with being the first known violin maker, ...

  • 9_9_16_2
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    From the Archive: copy of a late Stradivarius violin by Nicholas Lupot

    12 September 2016

    This illustration of a violin by Nicholas Lupot was published in The Strad, February 1983. The following text is extracted from the article accompanying the photographs:Lupot was the first maker, together with his colleague Francois Pique, to recognise and establish beyond doubt the superiority of the Stradivarius model and to ...

  • 2_9_16
    Gallery

    From the Archive: a violin by Carlo Ferdinando Landolphi, Milan, 1752

    5 September 2016

    This illustration of a violin by Carlo Ferdinando Landolphi was published in The Strad, October 1982. The following text is extracted from the article accompanying the photographs:The earliest records say that this instrument was owned by Count Alfred Belissa of Genoa. A letter written on the Count's personal stationary stated ...

  • 26_8_16
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    From the Archive: a viola by J.F. Guidantus, 1737

    29 August 2016

    This illustration of a viola by J.F. Guidantus was published in The Strad, August 1982. The following text is extracted from the article accompanying the photographs:In the June 1982 London sales, among the sought-after instruments at Christie's was a J.F. Guidantus 1737 viola, which predictably exceeded its estimate by realising ...

  • 19_8_16
    Gallery

    From the Archive: a cello by Glen Collins, 'The Royal Charles', 1982

    22 August 2016

    This illustration of a cello by Glen Collins was published in The Strad, August 1982. The following text is extracted from the article accompanying the photographs:It has been a long standing ambition of luthier Glen A. Collins to make a cello for HRH the Prince of Wales. Collins started corresponding ...

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    Gallery

    From the Archive: a cello by G.B. Rugeri of Cremona

    15 August 2016

    This illustration of a cello by G.B. Rugeri was published in The Strad, June 1982. The following text is extracted from the article accompanying the photographs:This cello has a distinguished history. It was brought from Italy to pass into the possession of King George IV and then to the Duke ...

  • 5_8_16
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    From the Archive: a violin by Alfredo Galea, 1979

    8 August 2016

    This illustration of a violin by Alfredo Galea was published in The Strad, March 1982. The following text is extracted from the article accompanying the photographs:Among the Italian violins produced in this century, the instruments of Alfredo G. Galea merit special appreciation for their lustrous and flexible tone. After a ...

  • 29_7_16
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    From the Archive: a violin by Sam Daniels, Jerome, Idaho, 1977

    1 August 2016

    This illustration of a violin by Sam Daniels was published in The Strad, August 1980. The following text is extracted from the article accompanying the photographs:Sam Daniels was born in 1915 in Idaho. His first attempt at making a violin was in 1936, when Sam ordered a kit from the ...

  • 22_7_16
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    From the Archive: the 'Reynolds' Maggini violin, 1610

    25 July 2016

    This illustration of a violin by Giovanni Paolo Maggini was published in The Strad, May 1980. The following text is extracted from the article accompanying the photograph:This violin by Giovanni Paolo Maggini of 1610 is in virtually mint condition . Authenticated violins by this Brescian maker are at best infrequent ...

  • 15_7_16
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    From the Archive: a violin by Giovanni Paolo Maggini, Brescia c.1600

    18 July 2016

    This illustration of a violin by Giovanni Paolo Maggini was published in The Strad, January 1980. The following text is extracted from the article accompanying the photographs:On the good authority of William E Hill and Sons, who certified the instrument on March 16 1955, the violin (with the exception of ...

  • 8_7_16
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    From the Archive: a violin by Barak Norman, London 1704

    11 July 2016

    This illustration of a violin by Barak Norman was published in The Strad, February 1979. The following text is extracted from the article accompanying the photographs:Barak Norman, who is among the best of the Old English School of viol and violin makers, was probably a pupil of Thomas Urquhart, a ...

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    From the Archive: a violincello by William Forster II, London, c.1785

    4 July 2016

    This illustration of a cello by William Forster was published in The Strad, April 1979. The following text is extracted from the article accompanying the photographs:William Forster II, generally referred to as 'Old Forster' and sometimes as 'Royal Forster', was born at Brampton, Cumberland in 1739, and died in London ...

  • 24_6_16
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    From the Archive: a viola by Jacobus Horil, Rome, 1741

    27 June 2016

    This illustration of a viola by Jacobus Horil was published in The Strad, December 1978. The following text is extracted from the article accompanying the photographs:Jacobus Horil was a Viennese maker who worked from 1720 to around 1758. Like a number of makers working in Vienna he was probably of ...

  • 17_6_16
    Gallery

    From the Archive: a viola by Hieronymus Amati II, Cremona, 1705

    20 June 2016

    This illustration of a viola by Hieronymus Amati II was published in The Strad, November 1978. The following text is extracted from the article accompanying the photographs: A superb example of the work of Hieronymus Amati, son of Nicolo, this instrument's label is dated Cremona 1705. According ...

  • 10_6_16
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    From the Archive: A violin by Anselmo Bellosio, Venice, c.1780

    13 June 2016

    This illustration of a violin by Anselmo Bellosio was published in The Strad, June 1978. The following text is extracted from the article accompanying the photographs: This typical example of the work of Anselmo Bellosio is unlabelled but dates from around 1780, the closing years of its maker's life. Anselmo ...

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    From the Archive: a Craske viola c.1860

    6 June 2016

    This illustration of a viola by Jacob Craske was published in The Strad, April 1976. The following text is extracted from the article accompanying the photographs:The recent record price of £1,300 obtained at Philips for a 15 5/8' viola by George Craske circa 1680 has tended to throw something of ...

  • 30_5_16
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    From the Archive: A violin by Giuseppe Guarneri 'del Gesù', Cremona 1734, 'The Gillott'

    30 May 2016

    This illustration of a violin by Giuseppe Guarneri 'del Gesù' was published in The Strad, November 1977. The following text is extracted from the article accompanying the photographs:In due course the 1734 'del Gesù' passed via John Hart's to Joseph Gillott, renowned pen manufacturer, but whose fame is more likely ...