All Editorial articles – Page 6
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ReviewBook review: Easy Concert Pieces for string quartet or string orchestra
Anne Inglis reviews the latest collection for young players by Peter Mohrs
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Review
Concert review:Tabea Zimmermann, members of the Berlin Philharmonic
Carlos María Solare hears a performance at the Berlin Philharmonie on 23 September 2020
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Review
Concert reviews: Dreamstage
Bruce Hodges tunes in to a new live streaming platform co-founded by cellist Jan Vogler
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Review
Spektral Quartet: Experiments in Living
A collection of contrasting music that’s more than just a game of chance
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Review
Josephine Knight: Schumann, Piatti
Elegant playing characterises a deeply researched and challenging programme
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Review
Andreas Brantelid: Russian Tales
An exquisite recital of Russian Romantic pieces that really glows
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Review
Raphaela Gromes: Romantic Cello Concertos
Romantic cello works yield delights in the hands of a passionate advocate
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Review
Trio Isimsiz: Fauré, Schubert, Brahms
Eagerly anticipated follow-up to an impressive debut from BB Trust artists
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Review
Dover Quartet: Beethoven
Beautifully judged traversal of op.18 quartets never fails to hit the mark
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Review
Nathan Meltzer: To Roman Totenberg
Promising playing but still a way to go on this tribute to a renowned violinist
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Review
Tabea Zimmermann: Solo II
Long-awaited follow-up to violist’s first Bach album doesn’t disappoint
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Video
The Strad Calendar 2021: Giuseppe Guarneri ‘del Gesù’ violin 1744
Guarneri’s carving is free and energetic, the movements of the tools quick and deep
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Focus
The Strad Calendar 2021; Nicolas Lupot cello 1823
The Lupot cello is a wonderful piece of controlled craftsmanship, and bears his personal signature on the back
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Premium ❘ Feature
The Spice of Life: Teaching different styles
Too often string teachers shy away from embracing styles outside the Western classical canon, but in doing so they’re ignoring a wealth of useful skills and techniques, not to mention repertoire, writes Julie Lyonn Lieberman
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Video
The Strad Calendar 2021: Francesco Rugeri cello c.1680
This poplar-backed cello is clearly very similar in form and modelling to Amati patterns
