All Editorial articles – Page 5
-
-
-
ReviewBook review: Beauty at the Edge of Catastrophe: Cultivating mindful presence in musical performance
Anne Inglis reviews Ruth Phillips’s book on the usefulness and application of mindfulness to musicians
-
ReviewBook review: Violin Making the Newark Way
Benjamin Hebbert reads the notes taken by Clare Hutter (née Nicolls) when she was a student at the Newark School of Violin Making in the 1980s
-
ReviewBook review: Notes to a Violinist
Celia Cobb reads the teachings of American violinist and pedagogue Jan Mark Sloman, who died in 2022
-
-
-
-
ReviewEmmanuelle Bertrand, Parisii Quartet: Schubert
Much to enjoy in endlessly subtle performances
-
ReviewDavid Moreau, Edgar Moreau, Jérémie Moreau: Schubert
Siblings bring a unanimity of purpose to Schubert
-
ReviewVadim Gluzman, Friedemann Eichhorn: Schnittke
Long-time friends unite for a searing musical experience
-
ReviewThe Strad Recommends: Trio E.T.A.: un///known
A recently formed group celebrates youthful promise
-
ReviewThe Strad Recommends: Caroline Nicolas: Pièces en Solitude
A memorable debut presents a bright new gamba star
-
-
ReviewConcert review: Leila Josefowicz (violin) Philadelphia Orchestra/Matthias Pintscher
Bruce Hodges hears the performance of John Williams, Copland and Matthias Pintscher himself, at Philadelphia’s Marian Anderson Hall on 1 May 2026
-
ReviewConcert review: Mark Steinberg (violin) Jonathan Biss (piano)
Bruce Hodges visits Philadelphia’s Perelman Theater on 7 May 2026 for the recital of Mozart violin sonatas
-
ReviewConcert review: Joseph Conyers (double bass) Philadelphia Orchestra/Naomi Woo
Bruce Hodges listens to the performance of Tan Dun, Caroline Shaw and Mozart, Hindemith and Bartók at Philadelphia’s Marian Anderson Hall on 9 May 2026
-
ReviewConcert review: Signum Quartet at the Schwetzingen Festival
Carlos María Solare hears two concerts by the foursome at the Mozartsaal on 30 April 2026, followed by the Evangelische Gemeinde on 2 May
-
ReviewConcert review: Galilee Quartet
Hattie Butterworth visits London’s Milton Court on 3 May 2026 for the recital of Webern and Mostafa and Gandhi Saad
-
ReviewConcert review: Darkness Visible: Âme, Lawrence Power (viola)
Edward Bhesania travels to London’s Barbican Centre on 7 May 2026 for an innovative staging of Ives, Dowland, Mozart, Jonny Greenwood, Prokofiev and Cassandra Miller
