Debate – Page 3
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Debate
Opinion: Follow the science
A teacher can never rest on their laurels with a pupil – it’s important to keep observing how things are going and ask questions, says Naomi Yandell
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Debate
Opinion: Touching a nerve
Although nervous energy can lead to inspired playing, it can also result in performance anxiety – unless we find ways to control it, writes cellist Laura van der Heijden
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Debate
Opinion: A new light
Debussy’s Sonata for flute, viola and harp is just one of many works written for that combination, and is a prime example of how loosening fixed traditions can open new and exciting sound worlds, writes Toby Deller
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Debate
Building an international profile for French violinists
In comparison with its array of top-level cellists and string quartets, France’s violin soloists seem in general to attract less media attention globally. Charlotte Gardner investigates the causes
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Debate
Opinion: Defining relevance
Classical musicians can feel concerned about their lack of consequence in the ‘real’ world. But, as the pandemic has shown, the art form is needed now more than ever – and it’s up to performers to make the case, writes Andrew Mellor
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Debate
Opinion: Being conscious
Developing musical potential requires a real sense of critical awareness as students grow, writes cellist Cecilia Radic
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Debate
Opinion: Original and the best?
Scouring the archives for early drafts is fine in the name of research, but when it comes to performance, the composer’s revised version is usually the more satisfying option, writes Charlotte Gardner
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Debate
Opinion: Wise words
Masterclasses should be special forums in which great artists impart the insight and knowledge they have acquired over a lifetime, writes double bassist Leon Bosch
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Debate
Opinion: A light touch
Learning to play harmonics early on has many potential benefits for beginner string players, as Naomi Yandell observes
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Debate
Beethoven’s music is especially appropriate in the time of Covid-19
Beethoven has been denied his year of celebration by the coronavirus pandemic. But, writes Toby Deller, his ‘Heiliger Dankgesang’ is an emblem for the current crisis
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Debate
Opinion: Best of both worlds
If we work together and communicate effectively there is no reason why a student cannot benefit from lessons with more than one instrumental tutor, writes Celia Cobb
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Debate
After Corona, pay inequality among musicians will be unsustainable
The great disparity in wages between soloists and rank-and-file musicians has been highlighted by the Covid-19 crisis, writes Andrew Mellor
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Debate
Opinion: Mind the gap
For classical music students, bridging the divide between training and employment is often a case of being entrepreneurial, writes Jacqueline Vanasse
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Focus
Are contemporary violin makers limiting their potential to develop new ideas?
A key aim of the VSA/Oberlin Workshop ‘Obie 1’ project was to create a good original violin design that was not directly derived or copied from a previous instrument
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Debate
Classical musicians should play more sports
String players often shy away from sports for fear of damaging themselves, but the benefits far outweigh the dangers, says cellist and tennis enthusiast Maria Kliegel
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Focus
Why aren't more British string players making it big internationally?
Despite the large number of young and talented string players in Britain, few seem to make an impact as leading soloists on the world stage. Charlotte Gardner explores the reasons for this phenomenon
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Debate
Building confidence around the absence of sound
Music students have the confidence to engage with silence, whether before, during or immediately after a piece, writes Naomi Yandell
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Debate
Are competitions inherently problematic?
Charlotte Gardner checks recent Joseph Joachim Competition rumours against reality and cautions against letting young musicians get caught in the crossfire
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Debate
Are France and Britain guilty of a lack of musical interaction?
Classical music should be a beacon of internationalism, yet each country’s scene appears to be stubbornly insular, writes Charlotte Gardner
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Debate
Why musicians should appeal against the ivory act
Benjamin Hebbert on the ethical tightrope of campaigning for exemptions to the Ivory Act while supporting its aim to put a stop to the slaughter of elephants
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