All Bowing articles
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Blogs
Five tips for achieving flawless legato for violinists and violists
Artists from The Strad’s extensive back catalogue share their insights on playing smoothly with the bow arm
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Technique: Violin bow landings with Gina McCormack
Violinist Gina McCormack on teaching bow landings in reference to Mozart
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Video
Our bow is our breath: cellist John-Henry Crawford
Understanding the relationship between the bow and the voice is key to creating a singing line, as the cellist discovered while preparing his new album Voice of Rachmaninoff
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Blogs
The anatomy and function of the bow arm: violinist Rachael Ridge
Having an awareness and understanding of how the bow arm moves is crucial to achieving a good tone on the violin
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Blogs
How Bach enhances right-hand dexterity: Violinist Rebeca Nuez Suarez
Rebeca Nuez Suarez discusses the contribution the Sonatas and Partitas for solo violin by Bach can make to gaining dexterity and strength in the right hand
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Focus
9 ways to develop a flexible bow hold
Advice for string players on avoiding tension in the bow hand and wrist from The Strad's archive
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Focus
The Strad Podcast Episode #57: Augustin Hadelich on Recuerdos and Ricochet
Enjoy some ’R&R’: the violinist speaks about his new album, as well as a particularly tricky bowing technique
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Feature
Masterclass: Bow techniques for jazz bass
By John Goldsby, bassist with the WDR Big Band in Cologne, Germany, and author of Jazz Bowing Techniques For The Improving Bassist and The Jazz Bass Book
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Feature
Leonard Rose: All about the bow
Oskar Falta explores some of Rose’s bowing theories and speaks to former students about his teaching techniques
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Focus
The Strad Podcast Episode #56: Richard Markson on teaching tone and sound
‘You have to hear in your mind a sound that you want to make’
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Focus
Martelé: Essential foundations for a top-quality bow technique
Rictor Noren offers grounding, exercises and repertoire suggestions to help you work on your martelé stroke
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Technique: Cello warm-ups - the bow arm
Cellist Mats Lidström discusses how to prepare the whole body for efficient, time-saving repertoire practice
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Focus
Movement in the bow hand and wrist, by violin professor Boris Kuschnir
Kuschnir explains how to master control of your sound through correct use of the bow
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Focus
String players should bow with individual fingers rather than the whole hand
Awareness of the movement of each right-hand finger is one of the great secrets of bowing, writes Rok Klopčič
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Technique: Teaching collé
Marcos Santos, teacher at the University of São Paulo, Brazil, on how to work on this short, articulated bow stroke to improve students’ overall bow control and sound
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Debate
Slow practice should be used only when needed as a learning tool
Are you wasting your time? As musicians we should be doing more to question the standard warm-up and practice regimes, writes violist Paul Neubauer
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Focus
How I warm up: violist Maxim Rysanov
The Russian-born viola player gives an insight into his detailed warm-up regimen
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‘Free and ringing, never forced’ - Technique: Developing bow control for improved tone
Violist Martin Outram on mix of exercises to help you draw out sound actively and attentively with the right hand
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Technique: Smooth string-crossings
David Gillham, associate professor of violin at the University of British Colombia and string tutor at Domaine Forget, Quebec, Canada, on how to anticipate and execute string-crossings with maximum fluidity and control