All Bach articles – Page 3
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ReviewConcert review: Rachel Podger (violin)
Edward Bhesania attends a demanding recital at London’s Milton Court Concert Hall on 15 December 2022
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ReviewArve Tellefsen et al: Sculpted Sound
Will instruments created from the same spruce log by the same luthier share certain sonic characteristics, even if played by separate individuals?
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ReviewConcert review: Diana Tishchenko (violin) José Gallardo (piano)
Edward Bhesania hears the performance of Bach, Fazil Say, Vasco Mendonça and Maxim Shalygin at London’s LSO St Luke’s on 18 November 2022
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Blogs4 ways Bach can improve your playing: Violinist Rebeca Nuez Suarez
Rebeca Nuez Suarez reflects on the application of Bach’s Solo Violin Sonatas and Partitas in the technical and musical development of young performers
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ReviewConcert review: Maxim Vengerov (violin) Polina Osetinskaya (piano)
Leah Hollingsworth hears a recital of Bach, Beethoven and Shostakovich at the Isaac Stern Auditorium in New York’s Carnegie Hall on 20 October 2022
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NewsDouble bassist wins 2022 Barbash J.S. Bach Competition
Nina Bernat scooped the grand prize of $5,000 and will enjoy a solo engagement in 2023
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ReviewConcert review: Dmitry Sitkovetsky (violin) Andrei Gridchuk (viola) David Geringas (cello)
Carlos Maria Solare attends Blackmore’s in Berlin on 13 August 2022 for the performance of Bach’s Goldberg Variations
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ReviewConcert review: Anthony Marwood (violin) James Crabb (classical accordion)
Tim Homfray reports from the concert of Bach, Stravinsky and Korngold at London’s Wigmore Hall on 10 July 2022
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ReviewCarolin Widmann: L’Aurore
Eloquence proves the linking theme through this adventurous recital
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ReviewConcert review: Maria Włoszczowska (violin) Jeremy Denk (piano)
Leah Hollingsworth attends a recital of Bach violin sonatas at New York’s 92Y on 8 June 2022
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ReviewConcert review: East Coast Chamber Orchestra
Leah Hollingsworth attends the performance at New York’s Washington Irving High School on 1 May 2022, part of the People’s Symphony Concerts
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ReviewAnne Akiko Meyers: Shining Night
A legendary ‘del Gesù’ takes centre stage in this wide-ranging recital
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ReviewDanish Quartet: Prism IV
Typically enterprising programme from one of today’s outstanding quartets
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FocusBach and me: Thomas Demenga on the Cello Suites
This article appeared in The Strad October 2012 issue For me, Bach is the greatest musical genius who has ever lived. His music is pure, sublime, and devoid of the melodrama of his own life’s experiences: it possesses something divine and each musician has a lifetime in which ...
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BlogsFive players, five insights on solo Bach
Our July 2021 issue features analysis of Bach’s solo violin sonatas - have a read of what these top five string players have to say about solo Bach
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ReviewConcert review: Antoine Tamestit (viola) Akademie für Alte Musik Berlin
Carlos María Solare hears a performance of Handel, Telemann and Bach at the Konzerthaus Berlin on 28 April 2022