All Tartini articles
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ReviewConcert review: Gabriel Croitoru (violin) Horia Mihail (piano)
Peter Quantrill travels to London’s Romanian Cultural Institute for the performance of Tartini, Kreisler, Enescu, Dvořák, Elgar, Moszkowski and Dediu on 5 October 2023
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ReviewA Violin’s Life, Vol. 3: Music for the ‘Lipiński’ Stradivari
An intriguing third volume in the company of a celebrated Strad
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ReviewOscar Shumsky: Live at Berkeley
A master violinist scintillates in a bold and brilliant programme
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ReviewViolinist Chouchane Siranossian: Duello d’Archi a Venezia
Some anachronistic elements mar this Baroque recital
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ReviewCristiano Contadin: Tartini Concertos and Sonatas on the Viol
Tartini in new garb, with mixed results
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ReviewConcert review: Rachel Podger (violin)
Edward Bhesania attends a demanding recital at London’s Milton Court Concert Hall on 15 December 2022
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ReviewArve Tellefsen et al: Sculpted Sound
Will instruments created from the same spruce log by the same luthier share certain sonic characteristics, even if played by separate individuals?
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NewsTartini tones: new research shows differences in old and new instruments
An Italian team has recorded the mysterious ‘third tone’, created when playing a two-note chord, as part of its research
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ReviewBojan Čičić: Pyrotechnia: Fire & Fury from 18th-Century Italy
Deliciously flamboyant and fiery Baroque violin concertos
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ReviewLive-streamed concert review: Rachel Podger (violin)
Tim Homfray hears a performance from St Martin-in-the-Fields, London, on 21 May 2021
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ReviewNils Mönkemeyer: Vivaldi, Rolla, Tartini, Paganini, Sciarrino
Inventive viola arrangements the Red Priest would surely have enjoyed
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ReviewDmitry Sinkovsky, Il Pomo d’Oro: Virtuosissimo
Russian artist meets Italian Baroque and the result has thrilling moments
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ReviewPeter Sheppard Skærved: Tartini
Plenty of expressive drama in the conclusion to this ambitious project
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ReviewWandy Tworek: The Danish Violin Wizard
A wonderful historical reminder of a 20th-century Danish whiz
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ReviewMichael Barenboim: Sciarrino, Tartini, Berio, Paganini
SCIARRINO Six Caprices; TARTINI Violin Sonata in G minor ‘Devil’s Trill’; BERIO Sequenza VIII; PAGANINI Caprices (selection)
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FocusTechnique: Minna Rose Chung on double stopping and Tartini tones
Using ‘difference tones’ to perfect your intonation when tackling double stopping passagework