Latest lutherie – Page 20
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FocusIn focus: The ‘Carrodus’ Guarneri ‘del Gesù’
In this article from the April 2007 issue, John Dilworth takes a close look at a violin made when ‘del Gesù’ was at his most imaginative and creative
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NewsNew record set for G.B. Guadagnini at London auction
The ‘Sinzheimer’ violin pushes past $2m mark in Tarisio auction, breaking previous record for maker set in 2016
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GalleryIn focus: violin by G.B. Rogeri
In this article from the October 2009 issue, Philip Kass untangles Rogeri, Rugeri and the last Amati in taking a closer look at a late 17th-century violin by the first
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FocusMaxim Vengerov: Me and my Strads
In conversation with Sota Nakazawa, Russian virtuoso Maxim Vengerov explains his love for Stradivari instruments, and his long relationship with them
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VideoRolf Lislevand plays a Stradivarius guitar
Norwegian early music specialist Rolf Lislevand plays the 1679 ‘Sabionari’ Stradivari, the only guitar by the maker which is currently playable. The piece is a Tarantela by Spanish Baroque composer Santiago de Murcia. Read: The ‘Sabionari’ Stradivarius guitar, 1679 [gallery]
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GalleryThe ‘Sabionari’ Stradivarius guitar, 1679
Of the five or six Stradivari guitars still extant, it is also, thanks to a recent restoration, the only one that is currently playable. Violinmaker Gregg Alf takes a closer look[click + to zoom]
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FocusFrom the archive: Violin by Santo Serafin c.1740
In the January 2013 issue, John Dilworth examined this fine example of the great Venetian craftsman’s work [click + to zoom in]
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VideoClarissa Bevilacqua plays Bach on the 1669 'Clisbee' Stradivarius
Seventeen-year-old violinist Clarissa Bevilacqua performs the Andante from Bach’s Sonata no.2 on the 1669 ‘Clisbee’ Stradivari from the collection of the Museo del Violino, Cremona. Clarissa Bevilaqua’s biography: She started playing the violin at age five, and debuted at the Pritzker Pavilion in Chicago in front of ten thousand people ...
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FocusFrom the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri
Marked forever by Paganini and nearly lost in the snow by Piatti, this 1717 cello by Pietro Giacomo Rogeri has had a colourful history. Article by John Dilworth from the July 2009 issue
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NewsGallery: X-raying a Strad case
Dimitri Musafia shares what is likely the first X-ray of a case from the Stradivari workshop
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VideoRob Landes tries out a titanium violin
In this video, violinist Rob Landes experiments with a violin made out of sheet titanium. Its maker described some of the challenges invoveld in its construction: ‘The number one problem when working with titanium is it reacts with the oxygen in air anytime it is over 800 degrees F. The ...
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FocusFrom the archive: the 1697 'Molitor' Stradivarius
This article by Philip Kass was first published in the December 2010 issue, soon after the instrument had been sold to Anne Akiko Meyers for a then-record $3.6m
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NewsTen Stradivarius instruments brought together for D.C. concert
Library of Congress collection joined by ‘Paganini’ quartet for special event. Philip J. Kass reports
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FocusFrom the archive: a violin by Santino Lavazza, c.1720
In the January 2007 issue, John Dilworth took a close look at a violin by one of the lesser known Milanese makers of the 18th century
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FocusThe ‘Vieuxtemps’ Guarneri ‘Del Gesù’
Currently the world’s most expensive violin, the 1741 ‘Vieuxtemps’ Guarneri ‘del Gesù’ is in a remarkable state of preservation, considering it has been in use for most of its life. In this extract from the first of a two-part article, Terry Borman introduces the instrument’s most celebrated owner
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VideoWhy Stradivarius violins are worth millions
From Vox comes a video exploring some of the mystique behind Stradivari violins. Featuring violinists Philippe Quint and Michelle Kim, luthier Joseph Curtin. Produced and presented by Dean Peterson for Vox.com.
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FocusFrom the archive: the 1865 ‘Caraman de Chimay’ Vuillaume
In the February 2010 issue, Tim Ingles took a close look at a decorated violin which was part of a now separated quartet of instruments
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GalleryFrom the archive: a c.1720 violin by Carlo Bergonzi
John Dilworth examines an early violin by the Cremonese maker, which used to belong to Paganini. First published in the April 2006 issue
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FocusFrom the archive: a 1709 violin by Carlo Tononi
In the January 2009 issue, Simon Morris took a closer look at a violin from Tononi’s Bologna period, before the death of his father Giovanni
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FocusFrom the archive: a c.1845 violin by Pressenda
Recent research shows that Giovanni Francesco Pressenda worked as a farmer before turning his hand to instrument making. In this article from the April 2005 issue, Alberto Giordano examines a late c.1845 violin