All teaching articles – Page 3
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Focus
6 tips for teaching young violinists by Suzuki instructor Teri Einfeldt
The University of Hartford Suzuki Department chair shares her methods for teaching children
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Blogs
5 pieces of advice for playing Bach by violinist Lisa Batiashvili
The artist shares her ideas about performing works of the great Baroque composer
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Review
Book review: Fractal Fingering: A scaleable concept of finger geometry for the double bass
Caroline Emery reviews David Allen Moore’s innovative method for learning the double bass
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Blogs
Desmond Cecil: My time with violinist Max Rostal
Excerpt from Desmond Cecil’s newly published memoir: ‘The Wandering Civil Servant of Stradivarius’
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News
New music institute launched in Madrid
‘Musical Arts Madrid’ puts chamber music at the core of its teaching programme
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Review
Book review: Classical Music for Children: 22 Easy Pieces for Violoncello and Piano
Janet Banks reviews a book for young players translated into English for the first time
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Focus
Boris Kuschnir: Educating and forging talent
The Austrian violinist gave the below lecture on 8 December 2019 at the first meeting of the Shanghai Conservatoire of Music’s Advisory Council for International Artists
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Focus
7 ways to become a more confident instrumental teacher
In their 2012 book 'From the Stage to the Studio', Cornelia Watkins and Laurie Scott give practical advice to help young musicians become more confident in teaching
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Focus
7 views on teaching stringed instruments to beginners
Advice on how to nurture beginner learners from The Strad's Archive
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The secrets of violinist Dorothy DeLay's teaching methods
Violinist Piet Koornhof witnessed Dorothy DeLay's extraordinary teaching skills as one of her students at the Juilliard School in New York. In 2001 he analysed what made her method so successful
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From the Archive: December 1909
The pseudonymous ‘L.H.W.’ gives his thoughts on teaching, in an article he might himself call ‘profuse and extravagant in expression’
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Focus
From the Archive: students of today are distracted by fast cars and loud cinema
Albert J Roberts bemoans the pleasure-seeking of the younger generation in The Strad's July 1923 issue, and calls on music teachers not to give up on promoting their art in the face of such competition
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How to develop fourth finger strength
String students often suffer from weakness in the little finger, but this can be overcome, writes James Winram in the Strad's July 1913 issue
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Me and my teacher: Dan Styffe and Gary Karr
The double bass virtuoso taught Styffe how to control the pressures of the world outside the teaching studio
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The 4 types of difficult parents and tips for dealing with them
Sometimes parents can be more of a handful than their sons and daughters. Catherine Nelson provides essential tips for dealing with misguided parent power
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Focus
5 views on teaching and performance from William Pleeth
The late British cellist and teacher of Jacqueline du Pré spoke to The Strad in June 1996 at the age of 80
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Focus
Thomas Demenga on studying with Grimmer, Janigro, Rose and Rostropovich
The Swiss cellist compares himself to a quattro stagioni pizza of the combined influence of his teachers. From September 2008
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Quick exercises to improve string playing technique
Bruno Giuranna, Mimi Zweig, Bonnie Hampton and Boris Kuschnir reveal their secret teaching weapons
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The 4 stages of memorising music for performance
With the right concepts and skills, any musician can successfully learn music by heart, as Gerald Klickstein explains